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La política del documental: observadores, observados, unidad y dispersión en La espalda del mundo
16 references·0 citing·35 second hop
La política del documental: observadores, observados, unidad y dispersión en La espalda del mundo (2006)La política del documental: observadores,…The Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…A new history of documentary film (2006)A new history of documentary …“The Most We Can Hope For...”: Human Rights and the Politics of Fatalism (2004)“The Most We Can Hope For...”…Writing History, Writing Trauma (2002)Writing History, Writing Trau…The Work of Art in the Age of Mechanical Reproduction (2001)The Work of Art in the Age of…The Illusions of Postmodernism (1997)The Illusions of PostmodernismRhetoric and Representation in Nonfiction film (1997)Rhetoric and Representation i…Representing reality: issues and concepts in documentary (1992)Representing reality: issues …The End of Modernity: Nihilism and Hermeneutics in Postmodern Culture (1991)The End of Modernity: Nihilis…New challenges for documentary (1989)New challenges for documentaryInvisible storytellers: voice-over narration in American fiction film (1989)Invisible storytellers: voice…The Voice of Documentary (1983)The Voice of DocumentaryIdeology and the Image: Social Representation in the Cinema and Other Media (1983)Ideology and the Image: Socia…Theory of Film Practice (1981)Theory of Film PracticeThe Voice in the Cinema: The Articulation of Body and Space (1980)The Voice in the Cinema: The …Tropics of Discourse: Essays in Cultural Criticism (1979)Tropics of Discourse: Essays …Intersecting Voices (1997)Intersecting Voices: Dilemmas of Gender, Political Philosophy, and Policy (1997)Touch and Intimacy in First World War Literature (2006)Cultural memory studies : an international and interdisciplinary handbook (2008)Cultural Memory Studies (2008)States of Injury (1995)Human Rights as Politics and Idolatry (2001)Left Legalism/Left Critique (2002)Heritage Trouble: Recent Work on the Protection of Intangible Cultural Property (2005)Who Believes in Human Rights? (2006)Fictions of Justice (2009)Speaking For, Speaking About, Speaking With, or Speaking Alongside — An Anthropological and Documentary Dilemma (1991)Homegirls in the Public Sphere (2003)From hero to villain to hero: Making experience sensible through embodied narrative sensemaking (2012)Disjuncture and Difference in the Global Cultural Economy (1990)Defining Identification: A Theoretical Look at the Identification of Audiences With Media Characters (2001)Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications (2010)Postmodernism and the Social Sciences (1992)Voices of Modernity (2003)Methodology of the Oppressed (2010)Image/Music/Voice: Song Dubbing in Hollywood Musicals (1995)Sound matters: Notes toward the analysis and design of sound in multimodal webtexts (2006)Film, Performance, and the Spaces Between: The Collaborative Works of Mara Mattuschka and Chris Haring (2018)Digital Rubbish (2011)Taken Out of Context: American Teen Sociality in Networked Publics (2017)Authenticity (2018)What is the Avatar? Fiction and Embodiment in Avatar-Based Singleplayer Computer Games (2006)Modes of interactivity: analysing the webdoc (2012)Reframing visual social science: towards a more visual sociology and anthropology (2016)True Lies: Perceptual Realism, Digital Images, and Film Theory (1996)Religion, Media, and the Public Sphere (2005)The Internet and democratic citizenship: theory, practice and policy (2010)Moving Pictures (1999)Narration in Various Media (2009)A philosophy of cinematic art (2010)
this work references cited by second hop

References

  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 2002Writing History, Writing Trauma2,053 cited
  • 1979Tropics of Discourse: Essays in Cultural Criticism1,836 cited
  • 1992Representing reality: issues and concepts in documentary1,609 cited
  • 2001The Work of Art in the Age of Mechanical Reproduction754 cited
  • 2004“The Most We Can Hope For...”: Human Rights and the Politics of Fatalism470 cited
  • 1980The Voice in the Cinema: The Articulation of Body and Space442 cited
  • 1989Invisible storytellers: voice-over narration in American fiction film341 cited
  • 1997Rhetoric and Representation in Nonfiction film331 cited
  • 1989New challenges for documentary329 cited
  • 1983The Voice of Documentary286 cited
  • 1981Theory of Film Practice254 cited
  • 1983Ideology and the Image: Social Representation in the Cinema and Other Media245 cited
  • 1991The End of Modernity: Nihilism and Hermeneutics in Postmodern Culture241 cited
  • 2006A new history of documentary film173 cited
  • 1997The Illusions of Postmodernism168 cited

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