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Musical “learning styles” and “learning strategies” in the instrumental lesson: Some emergent findings from a pilot study
16 references·14 citing·31 second hop
Musical “learning styles” and “learning strategies” in the instrumental lesson: Some emergent findings from a pilot study (2010)Musical “learning styles” and “learning s…The Discovery of Grounded Theory (2017)The Discovery of Grounded The…Qualitative Inquiry and Research Design: Choosing Among Five Approaches (2015)Qualitative Inquiry and Resea…Perspectives on Thinking, Learning, and Cognitive Styles (2014)Perspectives on Thinking, Lea…Music, informal learning and the school: a new classroom pedagogy (2009)Music, informal learning and …Constructing Grounded Theory. A Practical Guide Through Qualitative Analysis (2006)Constructing Grounded Theory.…Constructing grounded theory : a practical guide through qualitative analysis (2006)Constructing grounded theory …Learning Styles and Pedagogy in post-16 learning: a systematic and critical review (2004)Learning Styles and Pedagogy …Intelligence reframed: multiple intelligences for the 21st century (2000)Intelligence reframed: multip…Cognitive styles and learning strategies (1998)Cognitive styles and learning…International handbook of personality and intelligence (1996)International handbook of per…Learning Strategies and Learning Styles (1988)Learning Strategies and Learn…The Sequence of Musical Development: A Study of Children's Composition (1986)The Sequence of Musical Devel…Frames of Mind: The Theory of Multiple Intelligences (1984)Frames of Mind: The Theory of…Information processing in the child: Significance of analytic and reflective attitudes. (1964)Information processing in the…Personality: A Psychological Interpretation (1962)Personality: A Psychological …Personality: A Psychological Interpretation (1938)Personality: A Psychological …Children’s and adolescents’ engagement with music and the potential for (digital) empowerment processes: A text-mining-supported scoping review (2024)Children’s and adolescents’ e…Incorporation of informal music learning practices in a primary classroom in Cyprus (2022)Incorporation of informal mus…Children’s Representations of Music, Musical Identities, and Musical Engagement: Content and Socio-Demographic Influences (2021)Children’s Representations of…Developing one-to-one contemporary trumpet teaching strategies through peer observation and collaborative reflection (2019)Developing one-to-one contemp…Teachers’ strategies for playing by ear in one-to-one instrumental lessons: a case-study in Spain (2018)Teachers’ strategies for play…Achievement goal motivation and cognitive strategies as predictors of musical creativity among secondary school music students (2018)Achievement goal motivation a…A Study on Developing Learning Strategies in Violin Education (2018)A Study on Developing Learnin…Group Playing by Ear in Higher Education: the processes that support imitation, invention and group improvisation (2017)Group Playing by Ear in Highe…Developing a scale for strategies used during the practice and learning of instrumental music (2017)Developing a scale for strate…Forging Genuine Partnerships in the Music Studio Context: Reviving the Master-Apprentice Model for Post-colonial Times (2016)Forging Genuine Partnerships …Experiential (informal/non-formal) practice does not improve sight-reading skills (2016)Experiential (informal/non-fo…‘Play it by ear’ – teachers' responses to ear-playing tasks during one-to-one instrumental lessons (2014)‘Play it by ear’ – teachers' …MÜZİK ÖĞRETMENİ ADAYLARININ PİYANO DERSİNDE ÖĞRENME STRATEJİLERİNİ KULLANMA DÜZEYLERİNİN İNCELENMESİ (2013)MÜZİK ÖĞRETMENİ ADAYLARININ P…Ear playing and aural development in the instrumental lesson: Results from a “case-control” experiment (2013)Ear playing and aural develop…Metacognition and cognitive monitoring: A new area of cognitive-developmental inquiry. (1979)Experiential Learning : Experience as the Source of Learning and Development (1983)Situated Learning: Legitimate Peripheral Participation. (1994)DeFT: A conceptual framework for considering learning with multiple representations (2006)Learning Styles (2008)Three generations of distance education pedagogy (2011)The Discovery of Grounded Theory; Strategies for Qualitative Research (1968)Qualitative Analysis for Social Scientists (1987)Grounded theory research: Procedures, canons, and evaluative criteria (1990)The ECAR Study of Undergraduate Students and Information Technology, 2007 (2007)Using student-centred learning environments to stimulate deep approaches to learning: Factors encouraging or discouraging their effectiveness (2010)Making Sense of Assessment Feedback in Higher Education (2013)Interpretative Phenomenological Analysis: Theory, Method and Research (2010)Using the framework method for the analysis of qualitative data in multi-disciplinary health research (2013)One size fits all? What counts as quality practice in (reflexive) thematic analysis? (2020)Teaching For Quality Learning At University (1999)The Concept of Employability (2005)Conceptions of Giftedness (2020)Motivation reconsidered: The concept of competence. (1959)Culture and the Self: Implications for Cognition, Emotion, and Motivation (1991)Implicit social cognition: Attitudes, self-esteem, and stereotypes. (1995)Qualitative Content Analysis (2014)Thematic Analysis (2017)The Coding Manual for Qualitative Researchers (2022)Narrative configuration in qualitative analysis (1995)Development and validation of a measure of emotional intelligence (1998)Individual differences in reasoning: Implications for the rationality debate? (2000)Sample Size in Qualitative Interview Studies (2015)A practical guide to reflexivity in qualitative research: AMEE Guide No. 149 (2022)Thematic Analysis (2022)The Psychology of Interpersonal Relations. (1958)
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References

  • 2017The Discovery of Grounded Theory25,772 cited
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  • 1986The Sequence of Musical Development: A Study of Children's Composition338 cited
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    • 2013Ear playing and aural development in the instrumental lesson: Results from a “case-control” experiment33 cited
    • 2018Achievement goal motivation and cognitive strategies as predictors of musical creativity among secondary school music students24 cited
    • 2014‘Play it by ear’ – teachers' responses to ear-playing tasks during one-to-one instrumental lessons22 cited
    • 2022Incorporation of informal music learning practices in a primary classroom in Cyprus11 cited
    • 2016Experiential (informal/non-formal) practice does not improve sight-reading skills10 cited
    • 2013MÜZİK ÖĞRETMENİ ADAYLARININ PİYANO DERSİNDE ÖĞRENME STRATEJİLERİNİ KULLANMA DÜZEYLERİNİN İNCELENMESİ9 cited
    • 2017Group Playing by Ear in Higher Education: the processes that support imitation, invention and group improvisation9 cited
    • 2021Children’s Representations of Music, Musical Identities, and Musical Engagement: Content and Socio-Demographic Influences9 cited
    • 2017Developing a scale for strategies used during the practice and learning of instrumental music5 cited
    • 2018Teachers’ strategies for playing by ear in one-to-one instrumental lessons: a case-study in Spain5 cited
    • 2019Developing one-to-one contemporary trumpet teaching strategies through peer observation and collaborative reflection4 cited
    • 2024Children’s and adolescents’ engagement with music and the potential for (digital) empowerment processes: A text-mining-supported scoping review4 cited
    • 2018A Study on Developing Learning Strategies in Violin Education3 cited
    • 2016Forging Genuine Partnerships in the Music Studio Context: Reviving the Master-Apprentice Model for Post-colonial Times3 cited