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Authenticity Revisited: The Rock Critic and the Changing Real
16 references·16 citing·32 second hopsampled
Authenticity Revisited: The Rock Critic and the Changing Real (2010)Authenticity Revisited: The Rock Critic a…Distinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…Faking it: the quest for authenticity in popular music (2007)Faking it: the quest for auth…Voicing the Popular: On the Subjects of Popular Music (2006)Voicing the Popular: On the S…The Empire of Things: Regimes of Value and Material Culture (2002)The Empire of Things: Regimes…Authenticity as authentication (2002)Authenticity as authenticationIn search of authenticity: the formation of folklore studies (1998)In search of authenticity: th…The sex revolts: gender, rebellion, and rock'n'roll (1995)The sex revolts: gender, rebe…The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity…We gotta get out of this place: popular conservatism and postmodern culture (1992)We gotta get out of this plac…Art into Pop (1987)Art into PopThe Social Life of Things (1986)The Social Life of ThingsDistinction: A Social Critique of the Judgement of Taste. (1985)Distinction: A Social Critiqu…Aesthetic Experience and Literary Hermeneutics (1985)Aesthetic Experience and Lite…Communication, Music, and Speech about Music (1984)Communication, Music, and Spe…Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Sound Effects: Youth, Leisure…Folk Song Style and Culture (1969)Folk Song Style and CultureHolographic ABBA: Examining Fan Responses to ABBA’s Virtual “Live” Concert (2023)Holographic ABBA: Examining F…Authenticity, Empathy, and the Creative Imagination (2021)Authenticity, Empathy, and th…The Beatles and Sixties Britain (2020)The Beatles and Sixties Brita…Heavy metal justice? Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone 1980–91: Part one 1980–851 (2020)Heavy metal justice? Calibrat…Colloquy: Musicology and the Middlebrow (2020)Colloquy: Musicology and the …Writing about Popular Music (2019)Writing about Popular MusicThe Cambridge History of Music Criticism (2019)The Cambridge History of Musi…Stop the Press? The Changing Media of Music Criticism (2019)Stop the Press? The Changing …Sigur Rós: reception, borealism, and musical style (2018)Sigur Rós: reception, boreali…Musical genius and/or nasty piece of work? Dealing with violence and sexual assault in accounts of popular music’s past (2018)Musical genius and/or nasty p…From Justified to Illogical: Discourses of (Self-)Censorship and Authenticity in the Case of Two Finnish Metal Bands (2017)From Justified to Illogical: …Chanter les territoires Sámi dans un monde plus-qu’humain (2017)Chanter les territoires Sámi …Just Like Hendrix: Whiteness and the Online Critical and Consumer Reception of Rock Music in the United States, 2003–2013 (2015)Just Like Hendrix: Whiteness …New Economy of Fandom (2014)New Economy of Fandom‘Find out what it means to me’: Aretha Franklin's gendered re-authoring of Otis Redding's ‘Respect’ (2014)‘Find out what it means to me…An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change (2013)An Introduction to Music Revi…Studying Popular Music (1990)Running with the devil: power, gender, and madness in heavy metal music (1993)Club cultures: music, media and subcultural capital (1996)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)Promotional Ubiquitous Musics: Recording Artists, Brands, and “Rendering Authenticity” (2011)Femvertising or femwashing? Women's perceptions of authenticity (2022)Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Methodological Nationalism, the Social Sciences, and the Study of Migration: An Essay in Historical Epistemology (2003)Editorial: Mobilities, Immobilities and Moorings (2006)The New Mobilities Paradigm (2006)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)Ethnography through Thick and Thin (1999)Language and Social Relations (2006)Semiotics and the social analysis of material things (2003)The Anthropology of Money (2006)The Anthropology of Credit and Debt (2010)3. Constructing National Interests (1996)Theoretical and philosophical implications of postmodern debates: some challenges to modern marketing (2006)Normative theories of the media: journalism in democratic societies (2009)A Meaning-Based Model of Advertising Experiences (1992)How Stories Make Us Feel: Toward an Embodied Narratology (2011)Language and Complex Systems (2015)Music and Adolescent Identity (1999)The importance of music to adolescents (2000)Authenticity as a concept in tourism research (2002)Authenticity & aura (2011)To See and Be Seen: Celebrity Practice on Twitter (2011)Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity (1992)Consumption and Theories of Practice (2005)Income inequality and population health: A review and explanation of the evidence (2005)
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References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1985Distinction: A Social Critique of the Judgement of Taste.14,091 cited
  • 1994The Black Atlantic: Modernity and Double Consciousness7,512 cited
  • 1986The Social Life of Things6,257 cited
  • 1992We gotta get out of this place: popular conservatism and postmodern culture1,009 cited
  • 1982Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll.674 cited
  • 1998In search of authenticity: the formation of folklore studies510 cited
  • 2002The Empire of Things: Regimes of Value and Material Culture501 cited
  • 2002Authenticity as authentication485 cited
  • 1985Aesthetic Experience and Literary Hermeneutics385 cited
  • 1969Folk Song Style and Culture355 cited
  • 1984Communication, Music, and Speech about Music252 cited
  • 1995The sex revolts: gender, rebellion, and rock'n'roll195 cited
  • 2007Faking it: the quest for authenticity in popular music182 cited
  • 2006Voicing the Popular: On the Subjects of Popular Music179 cited
  • 1987Art into Pop

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164 cited

Cited by

  • 2014New Economy of Fandom85 cited
  • 2019The Cambridge History of Music Criticism85 cited
  • 2019Writing about Popular Music53 cited
  • 2020Heavy metal justice? Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone 1980–91: Part one 1980–85148 cited
  • 2014‘Find out what it means to me’: Aretha Franklin's gendered re-authoring of Otis Redding's ‘Respect’36 cited
  • 2013An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change33 cited
  • 2018Musical genius and/or nasty piece of work? Dealing with violence and sexual assault in accounts of popular music’s past22 cited
  • 2017Chanter les territoires Sámi dans un monde plus-qu’humain17 cited
  • 2015Just Like Hendrix: Whiteness and the Online Critical and Consumer Reception of Rock Music in the United States, 2003–201317 cited
  • 2023Holographic ABBA: Examining Fan Responses to ABBA’s Virtual “Live” Concert17 cited
  • 2017From Justified to Illogical: Discourses of (Self-)Censorship and Authenticity in the Case of Two Finnish Metal Bands13 cited
  • 2018Sigur Rós: reception, borealism, and musical style11 cited
  • 2021Authenticity, Empathy, and the Creative Imagination10 cited
  • 2020Colloquy: Musicology and the Middlebrow6 cited
  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 2020The Beatles and Sixties Britain5 cited