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The Politics of Trust: Drama education and the ethic of care La politique de la confiance: Education par le the´atre et l'e´thique de la responsabilite´ La Política de la Confianza: La educación del arte dramático y la ética del cuidado
9 references·8 citing·33 second hop
The Politics of Trust: Drama education and the ethic of care La politique de la confiance: Education par le the´atre et l'e´thique de la responsabilite´ La Política de la Confianza: La educación del arte dramático y la ética del cuidado (2002)The Politics of Trust: Drama education an…Modernity and Self-Identity (2023)Modernity and Self-IdentityTrust within Reason (1998)Trust within ReasonThe Culture of Education (1996)The Culture of EducationDimensions of Radical Democracy (1993)Dimensions of Radical Democra…Trust: making and breaking cooperative relations (1989)Trust: making and breaking co…EDUCATION AND DRAMATIC ART (1989)EDUCATION AND DRAMATIC ARTEthics and the Limits of Philosophy (1986)Ethics and the Limits of Phil…Caring: A Feminine Approach to Ethics and Moral Education (1984)Caring: A Feminine Approach t…A theory of justice original editionA theory of justice original …Understanding reading teachers’ self-directed use of drama-based pedagogy in an under-resourced educational setting: A case study in China (2021)Understanding reading teacher…Subverting perceptions of academic and professional learning with drama (2020)Subverting perceptions of aca…Drama pedagogy as aretaic pedagogy: the synergy of a teacher’s embodiment of artistry (2020)Drama pedagogy as aretaic ped…Being the adult you needed as a kid: why the AITSL standards are not the best fit for drama teachers (2019)Being the adult you needed as…“Fear of what we don’t know”: Grappling with diversity in a youth theatre program (2019)“Fear of what we don’t know”:…The teacher as co-creator of drama: a phenomenological study of the experiences and reflections of Irish primary school teachers (2017)The teacher as co-creator of …‘It makes me feel alive’: the socio-motivational impact of drama and theatre on marginalised young people (2017)‘It makes me feel alive’: the…Educating Rita and her sisters: using drama to reimagine femininities in schools (2013)Educating Rita and her sister…Mind in Society: The Development of Higher Psychological Processes (1978)Social Learning Theory. (1978)Self-determination theory and the facilitation of intrinsic motivation, social development, and well-being. (2000)El teatro como recurso para afrontar los retos de la adolescencia. (2019)A Model of Psychological Mechanisms of Inclusive Music-Making: Empowerment of Marginalized Young People (2021)Exploiting Drama for Children in EFL Teaching to Promote Creativity, Confidence, and Motivation (2021)Biological processes in prevention and intervention: The promotion of self-regulation as a means of preventing school failure (2008)Conceptualization, Measurement, and Improvement of Classroom Processes: Standardized Observation Can Leverage Capacity (2009)Teacher Technology Change (2010)The four elementary forms of sociality: Framework for a unified theory of social relations. (1992)Telling Secrets, Revealing Lives (2006)Learner-Centered Teacher-Student Relationships Are Effective: A Meta-Analysis (2007)Does Social Capital Have an Economic Payoff? A Cross-Country Investigation (1997)Initial Trust Formation in New Organizational Relationships (1998)A survey of trust and reputation systems for online service provision (2005)The Nature of Trust: From Georg Simmel to a Theory of Expectation, Interpretation and Suspension (2001)A trust-based consumer decision-making model in electronic commerce: The role of trust, perceived risk, and their antecedents (2007)The Philosophy of Sociality (2007)Institutional issues for the European regions: from markets and plans to socioeconomics and powers of association (1995)Deliberative Democracy and Authority (1996)Towards Post-National and Denationalized Citizenship (2002)Beyond Empiricism: Policy Inquiry in Post positivist Perspective (1998)The Constitution of Agency (2008)Conceptual Engineering and Conceptual Ethics (2020)11. Reasons and Persons (1986)Organizational Justice: Yesterday, Today, and Tomorrow (1990)Misery Loves Companies: Rethinking Social Initiatives by Business (2003)Drama Education, the Body and Representation (or, the mystery of the missing bodies) (1996)Emotion, Reason and Moral Engagement in Drama (1996)What Creativity Isn't: The Presumptions of Instrumental and Individual Justifications for Creativity in Education (2005)Using Technology and Constituting Structures: A Practice Lens for Studying Technology in Organizations (2000)The teacher's soul and the terrors of performativity (2003)An Extended Privacy Calculus Model for E-Commerce Transactions (2006)
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References

  • n.d.A theory of justice original edition24,876 cited
  • 1984Caring: A Feminine Approach to Ethics and Moral Education6,312 cited
  • 1996The Culture of Education6,227 cited
  • 2023Modernity and Self-Identity4,813 cited
  • 1989Trust: making and breaking cooperative relations4,014 cited
  • 1986Ethics and the Limits of Philosophy1,026 cited
  • 1998Trust within Reason514 cited
  • 1993Dimensions of Radical Democracy351 cited
  • 1989EDUCATION AND DRAMATIC ART69 cited

Cited by

  • 2017‘It makes me feel alive’: the socio-motivational impact of drama and theatre on marginalised young people22 cited
  • 2020Subverting perceptions of academic and professional learning with drama15 cited
  • 2019Being the adult you needed as a kid: why the AITSL standards are not the best fit for drama teachers10 cited
  • 2013Educating Rita and her sisters: using drama to reimagine femininities in schools9 cited
  • 2020Drama pedagogy as aretaic pedagogy: the synergy of a teacher’s embodiment of artistry9 cited
  • 2017The teacher as co-creator of drama: a phenomenological study of the experiences and reflections of Irish primary school teachers

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8 cited
  • 2021Understanding reading teachers’ self-directed use of drama-based pedagogy in an under-resourced educational setting: A case study in China8 cited
  • 2019“Fear of what we don’t know”: Grappling with diversity in a youth theatre program7 cited