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Hyperspectral imaging, spectrofluorimetry, FORS and XRF for the non-invasive study of medieval miniatures materials

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References

2014Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry345 cited
2014Identification of pigments by multispectral imaging; a flowchart method257 cited
2010Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ239 cited
1982Fluorescence of Paint and Varnish Layers (Part III)159 cited
1967Original treatises on the arts of painting115 cited
2007The use of microspectrofluorimetry for the characterization of lake pigments108 cited

Cited by

2019Recent progress in instrumental techniques for architectural heritage materials79 cited
2020Understanding multispectral imaging of cultural heritage: Determining best practice in MSI analysis of historical artefacts68 cited
2018XRF and reflectance hyperspectral imaging on a 15th century illuminated manuscript: combining imaging and quantitative analysis to understand the artist’s technique54 cited
2017Revealing the biography of a hidden medieval manuscript using synchrotron and conventional imaging techniques51 cited
2016Disclosing Jackson Pollock’s palette in Alchemy (1947) by non-invasive spectroscopies45 cited
2018Red and blue colours on 18th–19th century Japanese woodblock prints: In situ analyses by spectrofluorimetry and complementary non-invasive spectroscopic methods41 cited
2020

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Mapping pigments and binders in 15th century Gothic works of art using a combination of visible and near infrared hyperspectral imaging

37 cited

2015Hyperspectral imaging for the study of two thirteenth-century Italian miniatures from the Marcadé collection, Treasury of the Saint-Andre Cathedral in Bordeaux, France35 cited

2019A blue can conceal another! Noninvasive multispectroscopic analyses of mixtures of indigo and Prussian blue33 cited

2019Colours of the « images of the floating world ». non-invasive analyses of Japanese ukiyo-e woodblock prints (18th and 19th centuries) and new contributions to the insight of oriental materials31 cited

2016Noninvasive in situ study of pigments in artworks by means of VIS, IRFC image analysis, and X‐ray fluorescence spectrometry25 cited

2018Comparing the effectiveness of hyperspectral imaging and Raman spectroscopy: a case study on Armenian manuscripts24 cited

2017An explorative chemometric approach applied to hyperspectral images for the study of illuminated manuscripts23 cited

2018Multianalytical approach for the analysis of the Codices Millenarius Maior and Millenarius Minor in Kremsmuenster Abbey, Upper Austria23 cited

2018Macroscopic reflectance spectral imaging to reveal multiple and complementary types of information for the non-invasive study of an entire polychromatic manuscript22 cited

2016LEDμSF: A new portable device for fragile artworks analyses. Application on medieval pigments22 cited