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The Music of Igor Stravinsky
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The Music of Igor Stravinsky (1983)The Music of Igor StravinskyTropological Interaction and Expressive Interpretation in Stravinsky’s Neoclassical Works (2020)Tropological Interaction and …Schoenberg's Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function (2019)Schoenberg's Atonal Music: Mu…Special Collections (2016)Special CollectionsPathway, Blockage, and Containment in Density 21.5 (2016)Pathway, Blockage, and Contai…Building Blocks: Repetition and Continuity in the Music of Stravinsky (2012)Building Blocks: Repetition a…The Roles of Invariance and Analogy in the Linear Design of Stravinsky’s “Musick to heare” (2008)The Roles of Invariance and A…Twentieth-Century Chamber Music (2004)Twentieth-Century Chamber Mus…Stravinsky and the Octatonic: A Reconsideration (2002)Stravinsky and the Octatonic:…Rethinking Form: Stravinsky's Eleventh-Hour Revision of the Third Movement of His Violin Concerto (1999)Rethinking Form: Stravinsky's…Spiritual-temporal imagery in music of Olivier Messiaen and Toru Takemitsu (1993)Spiritual-temporal imagery in…Agon: A Musical/Choreographic Analysis (1993)Agon: A Musical/Choreographic…Stravinsky's "Les Noces" and Russian Village Wedding Ritual (1990)Stravinsky's "Les Noces" and …Interpreting Musical Analogy: From Rhetorical Device to Perceptual Process (1990)Interpreting Musical Analogy:…New Approaches to the Linear Analysis of Music (1988)New Approaches to the Linear …Chez Pétrouchka: Harmony and Tonality "chez" Stravinsky (1987)Chez Pétrouchka: Harmony and …Some Thoughts on the History and Historiography of Russian Music (1984)Some Thoughts on the History …Women, Fire, and Dangerous Things (1987)Calculating Tonal Tension (1996)A Cognitive Theory of Musical Meaning (2000)Metaphor and music (2008)P aradoxes of P itch S pace (2008)Contextual-Inversion Spaces (2011)Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg and Webern (1962)Schoenberg's Serial Odyssey: The Evolution of His Twelve-Tone Method, 1914-1928 (1991)The Rhythms of Reiteration: Formal Development in Stravinsky's Ostinati (1992)Expositions and Developments (1962)Poetics of Music in the Form of Six Lessons (1970)Theory and History of Folklore. (1985)Singing as Experience among Russian American Molokans (2005)Stravinsky and the Russian period: sound and legacy of a musical idiom (2013)Basic atonal theory (1980)Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle" (1985)Bartók's Octatonic Strategies: A Motivic Approach (1991)Stravinsky and the Octatonic: The Sounds of Stravinsky (2003)Conversations with Igor Stravinsky (1959)Sibelius: Symphony No. 5 (1993)A Serial Passage of Diatonic Ancestry in Stravinsky's The Flood (2004)The Structure of Atonal Music (1973)The Structure of Atonal Music (1974)Structural Functions in Music (1977)Spatial and Psychoacoustic Factors in Atonal Prolongation (1997)Scriabin's Symbolist Plot Archetype in the Late Piano Sonatas (2000)Bruckner's symphonies: analysis, reception and cultural politics (2005)Problems of Pitch Organization in Stravinsky (1963)Stravinsky and the Russian Traditions (1996)The Viennese symphony 1750 to 1827 (2013)Harmony and Voice Leading in the Music of Stravinsky (2014)Generalized Musical Intervals and Transformations (1988)A geometry of music: harmony and counterpoint in the extended common practice (2011)Harmonic qualities in Debussy's “Les sons et les parfums tournent dans l'air du soir” (2017)Stylistic information in pitch-class distributions (2019)Steve Reich’s Signature Rhythm and an Introduction to Rhythmic Qualities (2020)Classic Music: Expression, Form, and Style (1981)The Oxford Handbook of Topic Theory (2013)Kaleidoscopic Topics in the Music of György Ligeti and Thomas Adès (2024)Tapping the Plate or Hitting the Bottle: Sound and Movement in Self-accompanied and Musician-accompanied Dance (2014)Anne Teresa De Keersmaeker’sViolin Phaseand the Experience of Time, or Why Does Process Music Work? (2021)
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  • 2002Stravinsky and the Octatonic: A Reconsideration78 cited
  • 2016Pathway, Blockage, and Containment in Density 21.546 cited
  • 1990Stravinsky's "Les Noces" and Russian Village Wedding Ritual43 cited
  • 1987Chez Pétrouchka: Harmony and Tonality "chez" Stravinsky40 cited
  • 1999Rethinking Form: Stravinsky's Eleventh-Hour Revision of the Third Movement of His Violin Concerto32 cited
  • 2016Special Collections32 cited
  • 1988New Approaches to the Linear Analysis of Music31 cited
  • 2008The Roles of Invariance and Analogy in the Linear Design of Stravinsky’s “Musick to heare”29 cited
  • 2020Tropological Interaction and Expressive Interpretation in Stravinsky’s Neoclassical Works29 cited
  • 1993Agon: A Musical/Choreographic Analysis27 cited
  • 2004Twentieth-Century Chamber Music26 cited
  • 2012Building Blocks: Repetition and Continuity in the Music of Stravinsky26 cited
  • 2019Schoenberg's Atonal Music: Musical Idea, Basic Image, and Specters of Tonal Function25 cited
  • 1993Spiritual-temporal imagery in music of Olivier Messiaen and Toru Takemitsu25 cited
  • 1984Some Thoughts on the History and Historiography of Russian Music

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24 cited
  • 1990Interpreting Musical Analogy: From Rhetorical Device to Perceptual Process23 cited