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Counterpoint and quotation in Ussachevsky's Wireless Fantasy
3 references·2 citing·18 second hop
Counterpoint and quotation in Ussachevsky's Wireless Fantasy (2007)Counterpoint and quotation in Ussachevsky…The Analysis of Electroacoustic Music: from sources to invariants (2006)The Analysis of Electroacoust…"How Does It Work?": Challenges to Analytic Explanation (2006)"How Does It Work?": Challeng…Writing without Representation, and Unreadable Notation (1992)Writing without Representatio…The Terminology of Borrowing (2019)The Terminology of BorrowingSound Sampling, a Permitted Use Under EU Copyright Law? Opinion of the European Copyright Society in Relation to the Pending Reference before the CJEU in Case C-476/17, Pelham GmbH v. Hütter (2019)Sound Sampling, a Permitted U…Phenomenology of Perception (1982)Women, Fire, and Dangerous Things (1987)Women, Fire, and Dangerous Things: What Categories Reveal about the Mind (1988)The Joy of Analysis (2011)Creative layers and continuities: A case study of Nicole Lizée and the Kronos Quartet (2016)Experiencing Structure in Penderecki’s Threnody: Analysis, Ear-Training, and Musical Understanding (2016)The analysis of electronic music (1984)Traité des objets musicaux (2022)Capturing sound: how technology has changed music (2005)Capturing Sound (2010)The EU Charter of Fundamental Rights : A Commentary (2014)European Union copyright law and the Charter of Fundamental Rights—Advocate General Szpunar’s Opinions in (C-469/17) Funke Medien, (C-476/17) Pelham GmbH and (C-516/17) Spiegel Online (2019)Collateral Damage: Reuse in the Arts and the New Role of Quotation Provisions in Countries with Free Use Provisions After the ECJ’s Pelham, Funke Medien and Spiegel Online Judgments (2021)The Uses of Existing Music: Musical Borrowing as a Field (1994)Quotation and cultural meaning in twentieth-century music (2004)Remix Theory: The Aesthetics of Sampling (2012)When Words Are Not Enough: Tracing the Development of Extended Vocal Techniques in Twentieth-Century America (2008)Expanded Percussion Notation in Recent Works by Cat Hope, Stuart James and Lindsay Vickery (2017)
this work references cited by second hop

References

  • 1992Writing without Representation, and Unreadable Notation16 cited
  • 2006The Analysis of Electroacoustic Music: from sources to invariants16 cited
  • 2006"How Does It Work?": Challenges to Analytic Explanation13 cited

Cited by

  • 2019Sound Sampling, a Permitted Use Under EU Copyright Law? Opinion of the European Copyright Society in Relation to the Pending Reference before the CJEU in Case C-476/17, Pelham GmbH v. Hütter12 cited
  • 2019The Terminology of Borrowing3 cited

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