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Micro‐Raman spectroscopy analysis of the 17th century panel painting ‘Servilius Appius’ by Isaac van den Blocke
16 references·1 citing·30 second hop
Micro‐Raman spectroscopy analysis of the 17th century panel painting ‘Servilius Appius’ by Isaac van den Blocke (2014)Micro‐Raman spectroscopy analysis of the …Raman spectroscopy analysis of pigments on 16–17th c. Persian manuscripts (2012)Raman spectroscopy analysis o…Raman spectroscopy of synthetic organic pigments used in 20th century works of art (2008)Raman spectroscopy of synthet…Characterisation of inorganic pigments in ancient glass beads by means of Raman microspectroscopy, microprobe analysis and X‐ray diffractometry (2006)Characterisation of inorganic…The Gutenberg Bibles: Analysis of the Illuminations and Inks Using Raman Spectroscopy (2005)The Gutenberg Bibles: Analysi…Spectroscopic Techniques in Cultural Heritage Conservation: A Survey (2005)Spectroscopic Techniques in C…On-line FT-Raman and dispersive Raman spectra database of artists’ materials (e-VISART database) (2005)On-line FT-Raman and dispersi…MOLLUSCAN SHELL PIGMENTS: AN IN SITU RESONANCE RAMAN STUDY (2005)MOLLUSCAN SHELL PIGMENTS: AN …Raman spectroscopy in art and archaeology (2004)Raman spectroscopy in art and…Identification of nineteenth century blue and green pigments by in situ x‐ray fluorescence and micro‐Raman spectroscopy (2004)Identification of nineteenth …Non‐destructive analysis of paintings using Fourier transform Raman spectroscopy with fibre optics (2001)Non‐destructive analysis of p…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Characterization of azurite and lazurite based pigments by laser induced breakdown spectroscopy and micro-Raman spectroscopy (2001)Characterization of azurite a…Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analysis with micro-Raman spe…Historical Painting Techniques, Materials, and Studio Practice (1999)Historical Painting Technique…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…Fourier-transform Raman spectroscopic study of natural waxes and resins. I (1996)Fourier-transform Raman spect…An analytical investigation of a wooden panel painting attributed to the workshop of Lucas Cranach the Elder (2022)An analytical investigation o…Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art (2006)Extractionless non‐hydrolysis surface‐enhanced Raman spectroscopic detection of historical mordant dyes on textile fibers (2010)Revealing the invisible: using surface‐enhanced Raman spectroscopy to identify minute remnants of color in Winslow Homer's colorless skies (2011)Chemical characterisation of spray paints by a multi-analytical (Py/GC–MS, FTIR, μ-Raman) approach (2015)Infrared Spectroscopy in Conservation Science (2000)Multivariate classification of pigments and inks using combined Raman spectroscopy and LIBS (2011)Analytical chemistry in the field of cultural heritage (2015)Fatty Acids and Their Metal Salts: A Review of Their Infrared Spectra in Light of Their Presence in Cultural Heritage (2021)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)The role of mobile instrumentation in novel applications of Raman spectroscopy: archaeometry, geosciences, and forensics (2014)Pigments Checker version 3.0, a handy set for conservation scientists: A free online Raman spectra database (2016)Identification by Raman microscopy and visible reflectance spectroscopy of pigments on an Icelandic manuscript (1995)Pigment analysis in Bronze Age Aegean and Eastern Mediterranean painted plaster by laser-induced breakdown spectroscopy (LIBS) (2006)An example of the complementarity of laser‐induced breakdown spectroscopy and Raman microscopy for wall painting pigments analysis (2007)Application of spectroscopic techniques to the study of illuminated manuscripts: A survey (2012)The Organic Chemistry of Museum Objects (1988)Raman spectroscopic database of azo pigments and application to modern art studies (2000)Raman microscopy in archaeological science (2004)Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)Painting Materials: A Short Encyclopedia (2011)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)ColoRaman project: Raman and fluorescence spectroscopy of oil, tempera and fresco paint pigments (2004)Application of ATR-far-infrared spectroscopy to the analysis of natural resins (2010)Effect of photodegradation on the identification of natural varnishes by FT-IR spectroscopy (2013)Micro-Raman investigation of pigments and carbonate phases in corals and molluscan shells (2013)Limpet Shells from the Aterian Level 8 of El Harhoura 2 Cave (Témara, Morocco): Preservation State of Crossed-Foliated Layers (2015)The Characterization of Cobalt Violet Pigments (2002)An Egyptian Cartonnage of the Graeco-Roman Period (2003)Problems of Analysis by FTIR of Calcium Sulphate–Based Preparatory Layers: The Case of a Group of 16th‐Century P ortuguese Paintings (2013)
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References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2000Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art376 cited
  • 2005On-line FT-Raman and dispersive Raman spectra database of artists’ materials (e-VISART database)208 cited
  • 2005Spectroscopic Techniques in Cultural Heritage Conservation: A Survey182 cited
  • 2005MOLLUSCAN SHELL PIGMENTS: AN IN SITU RESONANCE RAMAN STUDY154 cited
  • 2001Characterization of azurite and lazurite based pigments by laser induced breakdown spectroscopy and micro-Raman spectroscopy112 cited
  • 2008Raman spectroscopy of synthetic organic pigments used in 20th century works of art108 cited
  • 1996Fourier-transform Raman spectroscopic study of natural waxes and resins. I108 cited
  • 1999Historical Painting Techniques, Materials, and Studio Practice91 cited
  • 2004Raman spectroscopy in art and archaeology86 cited
  • 2012Raman spectroscopy analysis of pigments on 16–17th c. Persian manuscripts77 cited
  • 2001Non‐destructive analysis of paintings using Fourier transform Raman spectroscopy with fibre optics72 cited
  • 2004

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Identification of nineteenth century blue and green pigments by in situ x‐ray fluorescence and micro‐Raman spectroscopy
69 cited
  • 2006Characterisation of inorganic pigments in ancient glass beads by means of Raman microspectroscopy, microprobe analysis and X‐ray diffractometry68 cited
  • 2005The Gutenberg Bibles: Analysis of the Illuminations and Inks Using Raman Spectroscopy66 cited
  • Cited by

    • 2022An analytical investigation of a wooden panel painting attributed to the workshop of Lucas Cranach the Elder12 cited