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‘Posh music should equal posh dress’: an investigation into the concert dress and physical appearance of female soloists
10 references·12 citing·43 second hop
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this work references cited by second hop

References

  • 1990Femininity and Domination: Studies in the Phenomenology of Oppression2,407 cited
  • 1991What is beautiful is good, but . . .: A meta-analytic review of research on the physical attractiveness stereotype.1,875 cited
  • 2001Cognitive constraints on multimedia learning: When presenting more material results in less understanding.1,026 cited
  • 1995Reducing cognitive load by mixing auditory and visual presentation modes.994 cited
  • 1999Managing split-attention and redundancy in multimedia instruction933 cited
  • 2000The Fashioned Body: Fashion, Dress and Modern Social Theory874 cited
  • 1992THE SPLIT‐ATTENTION EFFECT AS A FACTOR IN THE DESIGN OF INSTRUCTION766 cited
  • 1994Gender and the musical canon208 cited
  • 1999Gender, Musicology, and Feminism60 cited
  • 1998Dress Codes: Meanings and Messages in American Culture32 cited

Cited by

  • 2023Dress is a Fundamental Component of Person Perception88 cited
  • 2020Emotion Regulation Processes Can Benefit Self-Regulated Learning in Classical Musicians42 cited
  • 2019The Evaluation Simulator: A New Approach to Training Music Performance Assessment35 cited
  • 2015On the edge of their seats: Comparing first impressions and regular attendance in arts audiences20 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 202011. “Seeing Is Believing”: The Importance of Visual Factors in Music Performance Assessment16 cited
  • 2021How to dress to impress: The effect of concert dress type on perceptions of female classical pianists14 cited
  • 2011The fabric of performance: values and social practices of classical music expressed through concert dress choice12 cited
  • 2014The Effect of Evaluation Strategy and Music Performance Presentation Format on Score Variability of Music Students’ Performance Assessment7 cited
  • 2014Confidence and the choral singer : the effects of choir configuration, collaboration and communication7 cited
  • 2015‘O body swayed to music’: The allure of Jacqueline du Pré as spectacle and drama5 cited
  • 2022Enhancing Music Performance Appraisal4 cited
  • 2024MUSIC EDUCATION ASSESSMENTS IN CHINA: BIBLIOMETRIC ANALYSIS3 cited