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Development of MALDI-MS and nano-ESI-MS methodology for the full identification of poly(ethylene glycol) additives in artists’ acrylic paints
4 references·7 citing·28 second hop
Development of MALDI-MS and nano-ESI-MS methodology for the full identification of poly(ethylene glycol) additives in artists’ acrylic paints (2009)Development of MALDI-MS and nano-ESI-MS m…Separation techniques for the analysis of artists' acrylic emulsion paints (2004)Separation techniques for the…Analysis of modern paints (2004)Analysis of modern paintsCharacterization of Artists' Acrylic Emulsion Paints (2003)Characterization of Artists' …Analytical mass spectrometry of artists’ acrylic emulsion paints by direct temperature resolved mass spectrometry and laser desorption ionisation mass spectrometry (2002)Analytical mass spectrometry …Characterization of proteins in cultural heritage using MALDI–TOF and LC–MS/MS mass spectrometric techniques (2018)Characterization of proteins …Characterization of commercial artists’ acrylic paints and the influence of UV light on aging (2017)Characterization of commercia…The influence of temperature and humidity on swelling and surfactant migration in acrylic emulsion paint films (2015)The influence of temperature …Characterization of additives of PVAc and acrylic waterborne dispersions and paints by analytical pyrolysis–GC–MS and pyrolysis–silylation–GC–MS (2015)Characterization of additives…Identification of lipid- and protein-based binders in paintings by direct on-plate wet chemistry and matrix-assisted laser desorption ionization mass spectrometry (2014)Identification of lipid- and …Identification of additives in poly(vinylacetate) artist’s paints using PY-GC-MS (2010)Identification of additives i…Analytical mass spectrometry of poly(ethylene glycol) additives in artists’ acrylic emulsion media, artists’ paints, and microsamples from acrylic paintings using MALDI–MS and nanospray-ESI–MS (2009)Analytical mass spectrometry …Identification of Proteins in Renaissance Paintings by Proteomics (2006)Organic Mass Spectrometry in Art and Archaeology (2009)Identification of collagen-based materials in cultural heritage (2013)Immunochemical Methods Applied to Art-Historical Materials: Identification and Localization of Proteins by ELISA and IFM (2016)In Situ Hydrogel Extraction with Dual-Enzyme Digestion of Proteinaceous Binders: the Key for Reliable Mass Spectrometry Investigations of Artworks (2020)Modern paints uncovered (2007)Acrylic emulsion paint films: The effect of solution pH, conductivity, and ionic strength on film swelling and surfactant removal (2014)Method development for binding media analysis in painting cross‐sections by desorption electrospray ionization mass spectrometry (2018)A review of synthetic binding media in twentieth‐century paints (2000)Photo-oxidative stability of paraloid acrylic protective polymers (2001)Characterization and identification of acrylic binding media: influence of UV light on the ageing process (2010)UV ageing studies: evaluation of lightfastness declarations of commercial acrylic paints (2011)The Analysis of Synthetic Paints by Pyrolysis-Gas Chromatography-Mass Spectrometry (PyGCMS) (2001)Py-GC/MS applied to the analysis of synthetic organic pigments: characterization and identification in paint samples (2014)Adhesive testing at the Canadian Conservation Institute-an evaluation of selected poly(vinyl acetate) and acrylic adhesives (1996)Conservation concerns for acrylic emulsion paints (2003)A novel methodological approach for the assessment of surface cleaning of acrylic emulsion paints (2018)Applicability of single-shot and double-shot Py-GC/MS for the detection of components in vinyl acetate-based emulsions used in modern-contemporary art (2022)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)How Can Ozone and Relative Humidity Affect Artists’ Alkyd Paints? A FT-IR and Py-GC/MS Systematic Study (2022)Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks (2022)Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry (2010)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Paper fragments from the Tibetan Samye Monastery: Clues for an unusual sizing recipe implying wheat starch and milk in early Tibetan papermaking (2021)Study of Materials and Technique of Late Baroque Stucco Decorations: Baldassarre Fontana from Ticino to Czechia (2021)Raman study of synthetic organic pigments and dyes in early lithographic inks (1890–1920) (2006)The characterization of commercial artists’ alkyd paints (2008)Recent advances and applications to cultural heritage using ATR-FTIR spectroscopy and ATR-FTIR spectroscopic imaging (2022)
this work references cited by second hop

References

  • 2004Analysis of modern paints182 cited
  • 2003Characterization of Artists' Acrylic Emulsion Paints71 cited
  • 2002Analytical mass spectrometry of artists’ acrylic emulsion paints by direct temperature resolved mass spectrometry and laser desorption ionisation mass spectrometry66 cited
  • 2004Separation techniques for the analysis of artists' acrylic emulsion paints62 cited

Cited by

  • 2010Identification of additives in poly(vinylacetate) artist’s paints using PY-GC-MS32 cited
  • 2015Characterization of additives of PVAc and acrylic waterborne dispersions and paints by analytical pyrolysis–GC–MS and pyrolysis–silylation–GC–MS27 cited
  • 2014Identification of lipid- and protein-based binders in paintings by direct on-plate wet chemistry and matrix-assisted laser desorption ionization mass spectrometry27 cited
  • 2009Analytical mass spectrometry of poly(ethylene glycol) additives in artists’ acrylic emulsion media, artists’ paints, and microsamples from acrylic paintings using MALDI–MS and nanospray-ESI–MS25 cited
  • 2018Characterization of proteins in cultural heritage using MALDI–TOF and LC–MS/MS mass spectrometric techniques22 cited
  • 2015The influence of temperature and humidity on swelling and surfactant migration in acrylic emulsion paint films21 cited
  • 2017Characterization of commercial artists’ acrylic paints and the influence of UV light on aging12 cited

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