SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes
10 references·16 citing·20 second hop
Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes (2000)Weitzmann's Regions, My Cycles, and Douth…Voice-Leading Parsimony in the Music of Alexander Scriabin (1998)Voice-Leading Parsimony in th…Some Aspects of Three-Dimensional "Tonnetze" (1998)Some Aspects of Three-Dimensi…Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Parsimonious Graphs: A Study …Moving beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords (1998)Moving beyond Neo-Riemannian …Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Introduction to Neo-Riemannia…Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Neo-Riemannian Operations, Pa…Stravinsky and the Russian Traditions (1996)Stravinsky and the Russian Tr…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…Dissonant Prolongation: Theoretical and Compositional Precedents (1976)Dissonant Prolongation: Theor…Versuch einer geordneten Theorie der Tonsetzkunst.; 1830-1832 (1830)Versuch einer geordneten Theo…On Rimsky-Korsakov’s False (Hexatonic) Progressions Outside the Limits of a Tonality (2019)On Rimsky-Korsakov’s False (H…A Tendency-Transformational Model of Enharmonic Modulations and Related Phenomena (2018)A Tendency-Transformational M…Schubert’s Harmonic Language and Fourier Phase Space (2015)Schubert’s Harmonic Language …Distorted Continuity: Chromatic Harmony, Uniform Sequences, and Quantized Voice Leadings (2015)Distorted Continuity: Chromat…Transformational Analysis and the Representation of Genius in Film Music (2013)Transformational Analysis and…Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany (2013)Choral fantasies: music, fest…What is a Function? (2012)What is a Function?Riemannian Analytical Values, Paleo- and Neo- (2012)Riemannian Analytical Values,…On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564) (2012)On the Imagination of Tone in…Harmonic Dualism as Historical and Structural Imperative (2012)Harmonic Dualism as Historica…Dualism and the Beholder's Eye: Inversional Symmetry in Chromatic Tonal Music (2012)Dualism and the Beholder's Ey…Criteria for Analysis (2012)Criteria for AnalysisMetric Cubes in Some Music of Brahms (2009)Metric Cubes in Some Music of…Pat Martino’s The Nature of the Guitar: An Intersection of Jazz Theory and Neo-Riemannian Theory (2006)Pat Martino’s The Nature of t…Parsimony and Extravagance (2005)Parsimony and ExtravaganceCombinatorial Space in Nineteenth- and Early Twentieth-Century Music Theory (2003)Combinatorial Space in Ninete…As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Uniform Triadic Transformations (2002)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Neo-Riemannian Theory and the Analysis of Pop-Rock Music (2004)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Scale Networks and Debussy (2004)Voice Leading in Set-Class Space (2005)Cross-Type Transformations and the Path Consistency Condition (2007)Liszt's Experimental Idiom and Music of the Early Twentieth Century (1987)Chromatic Transformations in Nineteenth-Century Music (2002)Harmonic Cross-Reference and the Dialectic of Articulation and Continuity in Sonata Expositions of Schubert and Brahms (2006)A geometry of music: harmony and counterpoint in the extended common practice (2012)A Cognitive Theory of Musical Meaning (2000)The Geometry of Musical Chords (2006)Action and Agency Revisited (2013)Extraordinary Measures (2011)Gestural Imaginaries (2019)Theories of musical rhythm in the eighteenth and nineteenth centuries (2002)Tonality (2002)M eyer's Anvil: Revisiting the Schema Concept (2012)
this work references cited by second hop

References

  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 1997Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations332 cited
  • 1996Stravinsky and the Russian Traditions306 cited
  • 1998Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective305 cited
  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 1830Versuch einer geordneten Theorie der Tonsetzkunst.; 1830-1832135 cited
  • 1998Some Aspects of Three-Dimensional "Tonnetze"132 cited
  • 1976Dissonant Prolongation: Theoretical and Compositional Precedents115 cited
  • 1998Moving beyond Neo-Riemannian Triads: Exploring a Transformational Model for Seventh Chords115 cited
  • 1998Voice-Leading Parsimony in the Music of Alexander Scriabin91 cited

Cited by

  • 2013Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany68 cited
  • 2013Transformational Analysis and the Representation of Genius in Film Music46 cited
  • 2015Schubert’s Harmonic Language and Fourier Phase Space44 cited
  • 2005Parsimony and Extravagance36 cited
  • 2015

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Distorted Continuity: Chromatic Harmony, Uniform Sequences, and Quantized Voice Leadings
36 cited
  • 2003Combinatorial Space in Nineteenth- and Early Twentieth-Century Music Theory34 cited
  • 2012On the Imagination of Tone in Schubert's Liedesend (D473), Trost (D523), and Gretchens Bitte (D564)29 cited
  • 2009Metric Cubes in Some Music of Brahms28 cited
  • 2012Dualism and the Beholder's Eye: Inversional Symmetry in Chromatic Tonal Music24 cited
  • 2012Riemannian Analytical Values, Paleo- and Neo-21 cited
  • 2018A Tendency-Transformational Model of Enharmonic Modulations and Related Phenomena17 cited
  • 2012Harmonic Dualism as Historical and Structural Imperative16 cited
  • 2012What is a Function?16 cited
  • 2012Criteria for Analysis15 cited
  • 2019On Rimsky-Korsakov’s False (Hexatonic) Progressions Outside the Limits of a Tonality14 cited
  • 2006Pat Martino’s The Nature of the Guitar: An Intersection of Jazz Theory and Neo-Riemannian Theory11 cited