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The Social Liminality of Musicians: Case Studies from Mughal India and Beyond
13 references·12 citing·29 second hop
The Social Liminality of Musicians: Case Studies from Mughal India and Beyond (2007)The Social Liminality of Musicians: Case …“Orientalism - Western Conceptions of the Orient” (2012)“Orientalism - Western Concep…Two men and music : nationalism in the making of an Indian classical tradition (2005)Two men and music : nationali…Professional music-making in London: ethnography and experience (2005)Professional music-making in …Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich (2000)Music and British Culture, 17…May it fill your soul: experiencing Bulgarian music (1995)May it fill your soul: experi…Women and Music in Cross-Cultural Perspective (1989)Women and Music in Cross-Cult…The tabla of Lucknow: a cultural analysis of a musical tradition (1989)The tabla of Lucknow: a cultu…The Music Profession in Britain Since the Eighteenth Century: A Social History. (1986)The Music Profession in Brita…The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)The Study of Ethnomusicology:…The Life of Music in North India: The Organization of an Artistic Tradition (1981)The Life of Music in North In…Marxism and Literature (1978)Marxism and LiteratureThe Ritual Process. Structure and Anti-Structure (1971)The Ritual Process. Structure…Outsiders: Studies in The Sociology of Deviance. (1964)Outsiders: Studies in The Soc…The Courtesan Project and the Tawa’ifs’ Cultural Commons (2021)The Courtesan Project and the…Music, Exchange, and the Production of Value: A Case Study of Hindustani Music (2020)Music, Exchange, and the Prod…Reflecting in the Vernacular (2019)Reflecting in the VernacularMusical Jews: Listening for Hierarchy in Colonial Algeria and Beyond (2017)Musical Jews: Listening for H…Defining Twentieth- and Twenty-First-Century Music (2017)Defining Twentieth- and Twent…Thresholds, musics and liminality: professional Rom musicians and their liminal roles in nuptial rites of Bergama region Eşikler, müzikler ve liminalite: profesyonel Roman müzisyenler ve Bergama yöresi evlilik ritüellerindeki liminal rolleri (2016)Thresholds, musics and limina…Sonic Performativity: Analysing Gender in North Indian Classical Vocal Music (2015)Sonic Performativity: Analysi…Sites of Memory in Hindustani Music: Yusuf Ali Khan and the Sitar Shops of Lucknow (2013)Sites of Memory in Hindustani…Sacred, Polluted and Anachronous: Deconstructing Liminality among theBaddīof the Central Himalayas (2010)Sacred, Polluted and Anachron…Performing the Passion: Music, Ritual, and the Eastertide Labyrinth (2009)Performing the Passion: Music…Comparative Organography in Early Modern Empires (2009)Comparative Organography in E…Músicos cegos ou cegos músicos: representações de compensação sensorial na história da arte (2008)Músicos cegos ou cegos músico…Action, Criticism and Theory for Music Education (2004)In the Absence of Reliable Ghosts: Sexuality, Historiography, South Asia (2014)Tellings and Texts (2015)‘Doing development’: the gap year, volunteer‐tourists and a popular practice of development (2004)Getting Personal: Reflexivity and Autoethnographic Vignettes (2005)Epistemic Freedom in Africa (2018)Reputation in a Musical Scene: The Everyday Context of Connections between Music, Identity and Politics (1998)Som e música. Questões de uma antropologia sonora (2001)The Cambridge Companion to Percussion (2016)The social implications of demographic change (1990)Getting ‘Capital’ in the music world: musicians’ learning experiences and working lives (2010)Class, Control, and Classical Music (2019)Tourism in the Balinese Borderzone (1996)Death metal tonality and the act of listening (1999)Sounds of Power: An Overview of Musical Instruments and Gender (2008)the romance of resistance: tracing transformations of power through Bedouin women (1990)Language and Agency (2001)Towards a Politics of Mobility (2010)Segmented Assimilation: Issues, Controversies, and Recent Research on the New Second Generation (1997)Building Better Theory by Bridging the Quantitative–Qualitative Divide* (2006)Children's antisocial behavior, mental health, drug use, and educational performance after parental incarceration: A systematic review and meta-analysis. (2012)Youth and Cultural Practice (2002)Threshold concepts and troublesome knowledge (2): Epistemological considerations and a conceptual framework for teaching and learning (2005)Synchrony and Cooperation (2008)The Individual in Musical Ethnography (2012)Music (as) Labour: Professional Musicianship, Affective Labour and Gender in Socialist Yugoslavia (2015)Shared cultural knowledge: Effects of music on young children’s social preferences (2016)Collaborating in a competitive world: musicians’ working lives and understandings of entrepreneurship (2012)Learning cultures and the conservatoire: an ethnographically-informed case study (2013)
this work references cited by second hop

References

  • 1978Marxism and Literature4,734 cited
  • 1971The Ritual Process. Structure and Anti-Structure3,447 cited
  • 2012“Orientalism - Western Conceptions of the Orient”2,659 cited
  • 1964Outsiders: Studies in The Sociology of Deviance.1,774 cited
  • 1989Women and Music in Cross-Cultural Perspective203 cited
  • 2005Professional music-making in London: ethnography and experience186 cited
  • 1989The tabla of Lucknow: a cultural analysis of a musical tradition143 cited
  • 1986The Music Profession in Britain Since the Eighteenth Century: A Social History.137 cited
  • 1995May it fill your soul: experiencing Bulgarian music118 cited
  • 2005Two men and music : nationalism in the making of an Indian classical tradition104 cited
  • 1985The Study of Ethnomusicology: Twenty-Nine Issues and Concepts93 cited
  • 1981The Life of Music in North India: The Organization of an Artistic Tradition87 cited
  • 2000Music and British Culture, 1785-1914: Essays in Honour of Cyril Ehrlich69 cited

Cited by

  • 2020Music, Exchange, and the Production of Value: A Case Study of Hindustani Music22 cited
  • 2009Performing the Passion: Music, Ritual, and the Eastertide Labyrinth

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

14 cited
  • 2017Defining Twentieth- and Twenty-First-Century Music14 cited
  • 2009Comparative Organography in Early Modern Empires13 cited
  • 2008Músicos cegos ou cegos músicos: representações de compensação sensorial na história da arte7 cited
  • 2021The Courtesan Project and the Tawa’ifs’ Cultural Commons7 cited
  • 2015Sonic Performativity: Analysing Gender in North Indian Classical Vocal Music6 cited
  • 2016Thresholds, musics and liminality: professional Rom musicians and their liminal roles in nuptial rites of Bergama region Eşikler, müzikler ve liminalite: profesyonel Roman müzisyenler ve Bergama yöresi evlilik ritüellerindeki liminal rolleri5 cited
  • 2019Reflecting in the Vernacular5 cited
  • 2010Sacred, Polluted and Anachronous: Deconstructing Liminality among theBaddīof the Central Himalayas5 cited
  • 2017Musical Jews: Listening for Hierarchy in Colonial Algeria and Beyond4 cited
  • 2013Sites of Memory in Hindustani Music: Yusuf Ali Khan and the Sitar Shops of Lucknow3 cited