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Developing a Physical Vocabulary for the Contemporary Actor
7 references·1 citing·24 second hop
Developing a Physical Vocabulary for the Contemporary Actor (1995)Developing a Physical Vocabulary for the …Meyerhold on Theatre (2016)Meyerhold on TheatreTowards a Poor Theatre (2012)Towards a Poor TheatrePerforming Feminisms (1990)Performing FeminismsPortrait of Dora (1983)Portrait of DoraTraining for the theatre (1982)Training for the theatreCreating a Role (1957)Creating a RoleRhythm, Music and Education (1921)Rhythm, Music and EducationTechnique and the Embodied Actor (1999)Technique and the Embodied Ac…The Body in the Mind (1987)The Body: Toward an Eastern Mind-Body Theory. (1989)Metaphors We Live By (2003)Diagramming Practice and Performance (2005)Music, rhythm, rise time perception and developmental dyslexia: Perception of musical meter predicts reading and phonology (2010)Smart environment architecture for emotion detection and regulation (2016)The prodigal son'sRussian roots: Avant‐garde and icons (1981)Effector patterns of basic emotions: a psychophysiological method for training actors (1987)The stagecraft and performance of Roman comedy (2007)Intentional communication in the chimpanzee: The development of deception (1979)Game object model version II: a theoretical framework for educational game development (2006)Enacting the ‘true self’: Towards a theory of embodied authentic leadership (2009)A paradigm for performance studies (1987)On dramatic reality and its therapeutic function in drama therapy (2006)The Cambridge Introduction to Theatre Studies (2008)Expressing the Unspoken: Hysterical Performance as Radical Theatre (2003)Derrida on Free Decision: Between Habermas’ Discursivism and Schmitt's Decisionism* (2008)The voice(s) of reason: conceptual challenges for the decolonization of knowledge in global higher education (2020)A "Way" for Actors: Asian Martial Arts (1991)The Idea of Commedia in the Twentieth Century (1998)The Language of Teaching Coordination: Suzuki Training Meets the Alexander Technique (2002)Gendering War Talk (1993)Afterwords (2000)Performativity and Language Studies (2004)
this work references cited by second hop

References

  • 1990Performing Feminisms647 cited
  • 2012Towards a Poor Theatre497 cited
  • 1921Rhythm, Music and Education299 cited
  • 1957Creating a Role131 cited
  • 2016Meyerhold on Theatre93 cited
  • 1983Portrait of Dora24 cited
  • 1982Training for the theatre16 cited

Cited by

  • 1999Technique and the Embodied Actor5 cited

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