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Cited by

• 2016Digital Scholarly Editing135 cited
• 20162. What is a Scholarly Digital Edition?115 cited
• 2001Racking the Body, Shaping the Text: The Account of Anne Askew in Foxe's "Book of Martyrs"96 cited
• 1998Aemilia Lanyer: gender, genre, and the canon93 cited
• 1990Devotion as Difference: Intertextuality in Queen Katherine Parr's "Prayers or Meditations" (1545)64 cited
• 2015Women's Literacies and Social Hierarchy in Early Modern England63 cited
• 1997Complications of Intertextuality: John Fisher, Katherine Parr and ‘The Book of the Crucifix’57 cited
• 2012Fruits of Sodom: The Critical Erotics of Early Modern Women's Writing57 cited
• 2015Pamphilia Unbound: Digital Re-Visions of Mary Wroth’s Folger Manuscript, V.a.10456 cited
• 2017Introduction: Gender, Authorship, and Early Modern Women’s Collaboration55 cited
• 2017Literary Gifts: Performance and Collaboration in the Arundel/Lumley Family Manuscripts55 cited
• 2012Heresy Trials and English Women Writers, 1400–167038 cited
• 2008The Poetry of Religious Sorrow in Early Modern England37 cited
• 2003A Woman with Saint Peter's Keys?: Aemilia Lanyer's Salve Deus Rex Judaeorum (1611) and the Priestly Gifts of Women