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GC‐MS Characterisation and Identification of Natural Terpenic Resins Employed in Works of Art

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References

1988The Organic Chemistry of Museum Objects686 cited
1977NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION193 cited
2000Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings172 cited
1998Comparative chromatographic and mass-spectrometric studies of triterpenoid varnishes: fresh material and aged samples from paintings85 cited
1999Molecular studies of fresh and aged triterpenoid varnishes75 cited
2002Identification of non-cross-linked compounds in methanolic extracts of cured and aged linseed oil-based paint films using gas chromatography–mass spectrometry70 cited

Cited by

2006Study of the influencing effect of pigments on the photoageing of terpenoid resins used as pictorial media40 cited
2013Analysis of Mexican reference standards for Bursera spp. resins by Gas Chromatography–Mass Spectrometry and application to archaeological objects32 cited
2014Characterising native plant resins from Australian Aboriginal artefacts using ATR-FTIR and GC/MS29 cited
2009Archaeological resinous samples from Asian wrecks: Taxonomic characterization by GC–MS27 cited
2012Characterization and Identification of Natural Terpenic Resins employed in “Madonna con Bambino e Angeli” by Antonello da Messina using Gas Chromatography–Mass Spectrometry27 cited
2008Characterisation of varnishes used in violins by pyrolysis‐gas chromatography/mass spectrometry24 cited

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2011

Taxonomic characterisation of fresh Dipterocarpaceae resins by gas chromatography–mass spectrometry (GC–MS): providing clues for identification of unknown archaeological resins

23 cited

2017A multi-analytical approach using FTIR, GC/MS and Py-GC/MS revealed early evidence of embalming practices in Roman catacombs23 cited

2013The varnished truth: The recipes and reality of tintype coatings14 cited

2016Natural products such as adhesives in oil paintings12 cited