SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The changing role of women executives in the recording industry
16 references·1 citing·47 second hop
The changing role of women executives in the recording industry (1988)The changing role of women executives in …Women in popular music changing fortunes from 1955 to 1984 (1986)Women in popular music changi…Women in popular music: A quantitative analysis of feminine images over time (1985)Women in popular music: A qua…Sex Role Standards in Popular Music (1984)Sex Role Standards in Popular…Job Satisfaction among Newspaperwomen (1984)Job Satisfaction among Newspa…The status of research on women and communication (1983)The status of research on wom…Men and women as portrayed in the lyrics of contemporary music (1983)Men and women as portrayed in…Popular Music: Who Are the Recording Artists? (1982)Popular Music: Who Are the Re…Popular Music: Resistance to New Wave (1982)Popular Music: Resistance to …Popular Music: Concentration and Diversity in the Industry, 1974–1980 (1982)Popular Music: Concentration …Women and Public Broadcasting (1977)Women and Public BroadcastingSolo female vocalists: Some shifts in stature and alterations in song (1977)Solo female vocalists: Some s…Rock 'N' Roll Is Here to Pay: The History and Politics of the Music Industry (1977)Rock 'N' Roll Is Here to Pay:…Romantic Love: The Great Equalizer? Sexism in Popular Music (1976)Romantic Love: The Great Equa…Songs of sisterhood: The music of women's liberation (1975)Songs of sisterhood: The musi…Fighting Sexism on the Airwaves (1974)Fighting Sexism on the Airwav…Sociological Approaches to the Pop Music Phenomenon (1971)Sociological Approaches to th…“Don't say Nothin' bad about my baby”: A re‐evaluation of women's roles in the Brill building era of early rock ‘n’ roll (1996)“Don't say Nothin' bad about …The Dialogue of Courtship in Popular Songs (1957)Changing Courtship Patterns in the Popular Song (1969)Cycles in Symbol Production: The Case of Popular Music (1975)A Popular Music Perspective (1980)Hit Record Trends, 1940–1977 (1980)Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems (1972)Where the Girls Are: Growing up Female with the Mass Media. (1995)The "Illusion of Life" rhetorical perspective: an integrated approach to the study of music as communication (2001)Charting Gender: The Success of Female Acts in the U.S. Mainstream Recording Market, 1940–1990 (2005)Transformation in Cultural Industries (2005)The Unanticipated Consequences of Purposive Social Action (1936)The Adolescent Society (1962)On Culture and Social Change (1965)From Craft to Art (1979)The Structure of Scientific Revolutions (1963)Toward a New Psychology of Women. (1977)Theories of Human Communication (1978)Women and Men in Task Groups (1986)Interpersonal Conflict in Collaborative Writing: What We Can Learn from Gender Studies (1989)Gender Differences and Similarities in Management Communication (1991)Mass communication popular taste and organized social action. (1948)Listening to Popular Music (1950)Sex-Role Socialization in Picture Books for Preschool Children (1972)Adolescents and their music. Insights into the health of adolescents (1989)JUST ME AND THE BOYS? (1990)A Feminist Analysis of Popular Music (2007)The Professional Dance Musician and His Audience (1951)Violence and Sex in Music Videos: TV and Rock ‘n’ Roll (1986)The cultural economy: geography and the creative field (1999)Concentration and Diversity Revisited: Production Logics and the U.S. Mainstream Recording Market, 1940-1990 (2004)The Second Sex (1949)Reliability of Content Analysis: The Case of Nominal Scale Coding (1955)The measurement of psychological androgyny. (1974)Schematic Information Processing of Heavy Metal Lyrics (1991)Hyperfemininity and Influence (1999)Shirts vs. Skins: Clothing as an Indicator of Gender Role Stereotyping in Video Games (2002)Survey of current business (1921)Entrepreneurship in Organizations: Evidence from the Popular Music Industry (1971)Innovation and Diversity in the Popular Music Industry, 1969 to 1990 (1992)Deconstructing the Diversity Principle (1999)Creativity and Innovation in the Music Industry (2006)A longitudinal study of job satisfaction among Flemish professional journalists (2012)THE GLOBAL JOURNALIST IN THE TWENTY-FIRST CENTURY (2013)Job Satisfaction and Gender (2015)Analysing popular music: theory, method and practice (1982)Why 1955? Explaining the advent of rock music (1990)Producing Artistic Value: The Case of Rock Music (1994)
this work references cited by second hop

References

  • 1977Rock 'N' Roll Is Here to Pay: The History and Politics of the Music Industry207 cited
  • 1982Popular Music: Concentration and Diversity in the Industry, 1974–198084 cited
  • 1971Sociological Approaches to the Pop Music Phenomenon78 cited
  • 1983The status of research on women and communication53 cited
  • 1985Women in popular music: A quantitative analysis of feminine images over time38 cited
  • 1984Job Satisfaction among Newspaperwomen27 cited
  • 1983Men and women as portrayed in the lyrics of contemporary music23 cited
  • 1982Popular Music: Who Are the Recording Artists?23 cited
  • 1977Solo female vocalists: Some shifts in stature and alterations in song21 cited
  • 1986Women in popular music changing fortunes from 1955 to 198421 cited
  • 1976Romantic Love: The Great Equalizer? Sexism in Popular Music21 cited
  • 1982Popular Music: Resistance to New Wave18 cited
  • 1984Sex Role Standards in Popular Music15 cited
  • 1974Fighting Sexism on the Airwaves13 cited
  • 1977Women and Public Broadcasting13 cited
  • 1975Songs of sisterhood: The music of women's liberation

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

12 cited

Cited by

  • 1996“Don't say Nothin' bad about my baby”: A re‐evaluation of women's roles in the Brill building era of early rock ‘n’ roll38 cited