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Voice: the Practitioners, their Practices, and their Critics
6 references·3 citing·26 second hop
Voice: the Practitioners, their Practices, and their Critics (1997)Voice: the Practitioners, their Practices…Shakespeare, Feminism, and Voice: Responses to Sarah Werner (1997)Shakespeare, Feminism, and Vo…The Weyward Sisters: Shakespeare and Feminist Politics (1994)The Weyward Sisters: Shakespe…A Semiotics of the Dramatic Text (1994)A Semiotics of the Dramatic T…Acting Out (1993)Acting OutVoice and the Actor (1973)Voice and the ActorThe Making of a Counter Culture (1970)The Making of a Counter Cultu…The role of ‘presence’ in training actors’ voices1 (2016)The role of ‘presence’ in tra…Voicing Culture: Training Korean Actors' Voices through the Namdaemun Market Projects (2009)Voicing Culture: Training Kor…CARYL CHURCHILL:REPRESENTATIONAL NEGOTIATIONS AND PROVISIONAL TRUTHS (2004)CARYL CHURCHILL:REPRESENTATIO…Discipline and Punish: The Birth of the Prison. (1978)Gender Trouble: Feminism and the Subversion of Identity (1991)A Theory of Cognitive Dissonance (2017)Culture Shock (1986)Drama for Learning: Dorothy Heathcote's Mantle of the Expert Approach to Education (1995)The Intercultural performance reader (1997)Training a performer’s voices (2016)Practice‐based educational and theatre research: A scoping review (2025)The absent body (1990)Self as body in Asian theory and practice (1994)What a Body Can Do (2015)Two Opposite Animals? Voice, Text, and Gender on Stage. (1998)‘Death-marked love’: Desire and Presence in Romeo and Juliet (2001)Shakespeare, love and service (2008)Shakespeare, Love and Language (2018)The Cambridge History of American Theatre (1998)Contemporary Black and Asian Women Playwrights in Britain (2003)Theory of Mind and Fictions of Embodied Transparency (2008)Were those Boots Made Just for Walking? Shoes as Performing Objects in Everyday Life and in the Theatre (2003)Movement training for the modern actor (2009)Artistic Research in Music: Discipline and Resistance (2017)The Routledge Reader in Politics and Performance (2002)The unspoken voice and speech debate [or] the sacred cow in the conservatory (2016)Linking Ways of Knowing with Ways of Being Practical (1977)The educated mind : how cognitive tools shape our understanding (1997)Culture in Interaction (2003)
this work references cited by second hop

References

  • 1970The Making of a Counter Culture742 cited
  • 1993Acting Out176 cited
  • 1973Voice and the Actor79 cited
  • 1994The Weyward Sisters: Shakespeare and Feminist Politics70 cited
  • 1994A Semiotics of the Dramatic Text41 cited
  • 1997Shakespeare, Feminism, and Voice: Responses to Sarah Werner16 cited

Cited by

  • 2004CARYL CHURCHILL:REPRESENTATIONAL NEGOTIATIONS AND PROVISIONAL TRUTHS12 cited
  • 2009Voicing Culture: Training Korean Actors' Voices through the Namdaemun Market Projects9 cited
  • 2016The role of ‘presence’ in training actors’ voices17 cited

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