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Toward an Ethics of Postvisuality: Some Thoughts on the Recent Work of Zhang Yimou
13 references·0 citing·30 second hop
Toward an Ethics of Postvisuality: Some Thoughts on the Recent Work of Zhang Yimou (2004)Toward an Ethics of Postvisuality: Some T…On the Genealogy of Morals (2018)On the Genealogy of MoralsThe Turn to Ethics (2013)The Turn to EthicsA Phantom Discipline (2001)A Phantom DisciplineBlindness as Metaphor (1999)Blindness as MetaphorEthics after Idealism: Theory, Culture, Ethnicity, Reading (1998)Ethics after Idealism: Theory…Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema (1997)Primitive Passions: Visuality…Downcast Eyes (1993)Downcast EyesVisual Pleasure and Narrative Cinema (1989)Visual Pleasure and Narrative…Visual and Other Pleasures (1989)Visual and Other PleasuresCritical terms for literary study (1989)Critical terms for literary s…The Political Unconscious: Narrative as a Socially Symbolic Act (1983)The Political Unconscious: Na…The Political Unconscious: Narrative as a Socially Symbolic Act (1982)The Political Unconscious: Na…Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…Critical Theory, Poststructuralism, Postmodernism: Their Sociological Relevance (1991)Reading Humanitarian Intervention (2003)Transformations: Thinking Through Feminism (2005)THE LIMITS OF THE SOVEREIGN STATE: Strategies of Crime Control in Contemporary Society (1996)Interpersonal forgiving in close relationships. (1997)Dealing with betrayal in close relationships: Does commitment promote forgiveness? (2002)The Place of Story in the Study of Teaching and Teacher Education (1993)Poststructural feminism in education: An overview (2000)The Corporeal Politics of Quality (Suzhi) (2004)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)Feeling Asian Modernities: Transnational Consumption of Japanese TV Dramas (2004)Beyond Participant Observation: Collaborative Ethnography as Theoretical Innovation (2008)The Economy of Manichean Allegory: The Function of Racial Difference in Colonialist Literature (1985)Constitutive rhetoric: The case of the peuple québécois (1987)Strategy Retold: Toward a Narrative View of Strategic Discourse (1997)The Cambridge Introduction to Narrative (2008)Surface Reading: An Introduction (2009)Methodology of the Oppressed (2010)The Listening Subject of Japanese Modernity and His Auditory Double: Citing, Sighting, and Siting the Modern Japanese Woman (2003)Mirrors of Masculinity: Representation and Identity in Advertising Images (2004)Personal Fashion Blogs: Screens and Mirrors in Digital Self-portraits (2011)Words, Images, Enemies: Securitization and International Politics (2003)Visibility (2007)The Capitalocene, Part I: on the nature and origins of our ecological crisis (2017)Hybridity (2004)Heteroglossia and Boundaries (2007)The Culture of Japanese Fascism (2009)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1982The Political Unconscious: Narrative as a Socially Symbolic Act2,446 cited
  • 1989Visual and Other Pleasures2,397 cited
  • 1983The Political Unconscious: Narrative as a Socially Symbolic Act1,679 cited
  • 1993Downcast Eyes1,296 cited
  • 1989Critical terms for literary study1,249 cited
  • 1989Visual Pleasure and Narrative Cinema688 cited
  • 1997Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema636 cited
  • 2018On the Genealogy of Morals339 cited
  • 1998Ethics after Idealism: Theory, Culture, Ethnicity, Reading274 cited
  • 2013The Turn to Ethics105 cited
  • 1999Blindness as Metaphor45 cited
  • 2001A Phantom Discipline28 cited

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