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On the use of photobleaching to reduce fluorescence background in Raman spectroscopy to improve the reliability of pigment identification on painted textiles
16 references·1 citing·42 second hop
On the use of photobleaching to reduce fluorescence background in Raman spectroscopy to improve the reliability of pigment identification on painted textiles (2006)On the use of photobleaching to reduce fl…The Perugino's palette: integration of an extended in situ XRF study by Raman spectroscopy (2004)The Perugino's palette: integ…Raman spectroscopic analysis of pigments from dynastic Egyptian funerary artefacts (2004)Raman spectroscopic analysis …Identification of nineteenth century blue and green pigments by in situ x‐ray fluorescence and micro‐Raman spectroscopy (2004)Identification of nineteenth …Identification by Raman microscopy of pigments on early postage stamps: distinction between original 1847 and 1858–1862, forged and reproduction postage stamps of Mauritius (2004)Identification by Raman micro…Caput mortuum: spectroscopic and structural studies of an ancient pigment (2002)Caput mortuum: spectroscopic …An extensive non‐destructive and micro‐spectroscopic study of two post‐Byzantine overpainted icons of the 16th century (2002)An extensive non‐destructive …Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products (2001)Raman spectroscopy as a means…Non‐destructive analysis of paintings using Fourier transform Raman spectroscopy with fibre optics (2001)Non‐destructive analysis of p…Analysis of the laser-induced reduction mechanisms of medieval pigments (2001)Analysis of the laser-induced…Analysis of pigments in polychromes by use of laser induced breakdown spectroscopy and Raman microscopy (2000)Analysis of pigments in polyc…Pigment identification studiesin situ of Javanese, Thai, Korean, Chinese and Uighur manuscripts by Raman microscopy (1999)Pigment identification studie…Fourier transform Raman spectroscopic study of prehistoric rock paintings from the Big Bend region, Texas (1999)Fourier transform Raman spect…Raman Microscopy Study of the Pigments on Three Illuminated Mediaeval Latin Manuscripts (1997)Raman Microscopy Study of the…Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts (1997)Pigment identification on med…Fourier Transform Raman Spectroscopic Study of Pigments from English Mediaeval Wall Paintings (1997)Fourier Transform Raman Spect…Non-destructive pigment analysis of artefacts by Raman microscopy (1992)Non-destructive pigment analy…Photobleaching as a useful technique in reducing of fluorescence in Raman spectra of blue automobile paint samples (2014)Photobleaching as a useful te…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Modern analytical methods in art and archaeology (2000)An extensive colour palette in Roman villas in Burgos, Northern Spain: a Raman spectroscopic analysis (2004)Non-destructive analysis of museum objects by fibre-optic Raman spectroscopy (2006)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)An example of the complementarity of laser‐induced breakdown spectroscopy and Raman microscopy for wall painting pigments analysis (2007)Correction of Ultraviolet-Induced Fluorescence Spectra for the Examination of Polychromy (2008)Pigments — Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation products (2021)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)In vitro validation of a mobile Raman–XRF micro‐analytical instrument's capabilities on the diagnosis of Byzantine icons (2006)Pigment analysis in Bronze Age Aegean and Eastern Mediterranean painted plaster by laser-induced breakdown spectroscopy (LIBS) (2006)Ancient Egyptian materials and technology (2000)Micro‐Raman spectroscopic study of pottery fragments from the Lapatsa tomb, Cyprus, ca 2500 BC (2005)Multi-disciplinary investigation of the tomb of Menna (TT69), Theban Necropolis, Egypt (2008)Identification by Raman spectroscopy of pararealgar as a starting material in the synthesis of amorphous arsenic sulfide pigments (2017)Pigment identification by spectroscopic means: an arts/science interface (2002)Non-invasive and non-destructive micro-XRF and micro-Raman analysis of a decorative wallpaper from the beginning of the 19th century (2006)In situ investigations of vault paintings in the Antwerp cathedral (2009)The use of a multi-method approach to identify the pigments in the 12th century manuscript Liber Floridus (2011)Excimer laser restoration of painted artworks: procedures, mechanisms and effects (1998)Laser irradiation of medieval pigments at IR, VIS and UV wavelengths (2003)Surface modification during Nd:YAG (1064 nm) pulsed laser cleaning of organic fibrous materials (2003)Multianalytical Study of Laser Pulse Duration Effects in the IR Laser Cleaning of Wall Paintings from the Monumental Cemetery of Pisa (2006)The materials and techniques of medieval painting (1956)A History of Illuminated Manuscripts (1987)Pigment Identification in Painted Artworks: A Dual Analytical Approach Employing Laser-Induced Breakdown Spectroscopy and Raman Microscopy (2000)Pigment analysis by Raman microscopy of the non‐figurative illumination in 16th‐ to 18th‐century Islamic manuscripts (2008)Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttings (2010)Evidence of a 25,000‐year‐old pictograph in Northern Australia (1993)Fourier-transform Raman spectroscopic study of pigments in native American Indian rock art: Seminole Canyon (1998)Application of field portable EDXRF spectrometry to analysis of pigments of Levantine rock art (2010)Raman microscopy of prehistoric rock paintings from the Hoz de Vicente, Minglanilla, Cuenca, Spain (2010)In search of the optimum Raman/IR signatures of potential ingredients used in San/Bushman rock art paint (2013)Raman analysis of iron gall inks on parchment (2006)Analytical chemistry in the field of cultural heritage (2015)Analytical methods for determination of anthraquinone dyes in historical textiles: A review (2019)On-line FT-Raman and dispersive Raman spectra database of artists’ materials (e-VISART database) (2005)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)
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References

  • 2001Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products282 cited
  • 1992Non-destructive pigment analysis of artefacts by Raman microscopy164 cited
  • 1997Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts109 cited
  • 2002An extensive non‐destructive and micro‐spectroscopic study of two post‐Byzantine overpainted icons of the 16th century89 cited
  • 2000Analysis of pigments in polychromes by use of laser induced breakdown spectroscopy and Raman microscopy85 cited
  • 2001Non‐destructive analysis of paintings using Fourier transform Raman spectroscopy with fibre optics72 cited
  • 2004Raman spectroscopic analysis of pigments from dynastic Egyptian funerary artefacts70 cited
  • 2004Identification of nineteenth century blue and green pigments by in situ x‐ray fluorescence and micro‐Raman spectroscopy69 cited
  • 2001Analysis of the laser-induced reduction mechanisms of medieval pigments68 cited
  • 1999Fourier transform Raman spectroscopic study of prehistoric rock paintings from the Big Bend region, Texas66 cited
  • 1999Pigment identification studiesin situ of Javanese, Thai, Korean, Chinese and Uighur manuscripts by Raman microscopy63 cited
  • 2002Caput mortuum: spectroscopic and structural studies of an ancient pigment56 cited
  • 1997Raman Microscopy Study of the Pigments on Three Illuminated Mediaeval Latin Manuscripts

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56 cited
  • 1997Fourier Transform Raman Spectroscopic Study of Pigments from English Mediaeval Wall Paintings55 cited
  • 2004The Perugino's palette: integration of an extended in situ XRF study by Raman spectroscopy52 cited
  • 2004Identification by Raman microscopy of pigments on early postage stamps: distinction between original 1847 and 1858–1862, forged and reproduction postage stamps of Mauritius51 cited
  • Cited by

    • 2014Photobleaching as a useful technique in reducing of fluorescence in Raman spectra of blue automobile paint samples44 cited