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Colouring in the “black-box”: Alternative renderings of scientific visualisations in two comic book cosmologies
16 references·1 citing·34 second hop
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this work references cited by second hop

References

  • 1998Understanding Comics: The Invisible Art3,139 cited
  • 1987Leviathan and the Air-Pump: Hobbes, Boyle, and the Experimental Life2,150 cited
  • 1985Watching Dallas: Soap Opera and the Melodramatic Imagination1,556 cited
  • 1985Comics and Sequential Art648 cited
  • 2006Alternative comics: an emerging literature643 cited
  • 1985Ontological Gerrymandering: The Anatomy of Social Problems Explanations530 cited
  • 1993Adult Comics: An Introduction259 cited
  • 2002The Language of comics: word and image220 cited
  • 1989Comics: Ideology, Power and the Critics209 cited
  • 2008This book contains graphic language: comics as literature175 cited
  • 1994The Art of the Comic Book: An Aesthetic History141 cited
  • 1985The Word and the World: Explorations in the Form of Sociological Analysis136 cited
  • 2012Science Images and Popular Images of the Sciences86 cited
  • 2004Fantastically reasonable: ambivalence in the representation of science and technology in super-hero comics70 cited
  • 2006Television wildlife programming as a source of popular scientific information: a case study of evolution66 cited
  • 1989

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The priestly voice
59 cited

Cited by

  • 2012Spirit(ualitie)s of Science in Words and Pictures: Syncretising Science and Religion in the Cosmologies of Two Comic Books4 cited