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Adult learning in traditional music
13 references·16 citing·49 second hop
Adult learning in traditional music (2005)Adult learning in traditional musicMapping Music Education Research in the UK (2004)Mapping Music Education Resea…Informal Learning of Musical Instruments: The importance of social context (2002)Informal Learning of Musical …How Popular Musicians Learn: A Way Ahead for Music Education (2002)How Popular Musicians Learn: …Emotion, Functionality and the Everyday Experience of Music: Where does music education fit? (2001)Emotion, Functionality and th…Intrinsic and Extrinsic Motivations: Classic Definitions and New Directions (2000)Intrinsic and Extrinsic Motiv…America's popular music traditions as “Canon‐Fodder” (1998)America's popular music tradi…Truth, Perceptions, and Cultural Constructs in Ethnographic Research: Music Teaching and Learning in Ireland. (1996)Truth, Perceptions, and Cultu…Informal Learning and Adult Music Activities. (1996)Informal Learning and Adult M…The British Folk Scene: Musical Performance and Social Identity (1993)The British Folk Scene: Music…The Hidden Musicians: Music-Making in an English Town (1989)The Hidden Musicians: Music-M…The Fiddle Tradition of the Shetland Isles (1989)The Fiddle Tradition of the S…Music talent, and performance: a conservatory cultural system (1988)Music talent, and performance…Factors Relating to Carryover of Music Training into Adult Life (1967)Factors Relating to Carryover…Happy Work, Happy Life? A Replication and Comparison of the Longitudinal Effects Between Job and Life Satisfaction Using Continuous Time Meta‐Analysis (2025)Happy Work, Happy Life? A Rep…“It’s never too late ”: Adult students and music learning in one online and offline convergent community music school (2019)“It’s never too late ”: Adult…“Not just bow and string and notes”: Directors’ perspectives on community building as pedagogy in Celtic traditional music education organizations (2018)“Not just bow and string and …Communities of practice in the conservatory: learning with a professional musician (2015)Communities of practice in th…Tradition Bearers as Educators: A Multi-Case Study of the Teaching Behaviors and Beliefs of Three Old-Time Musicians (2014)Tradition Bearers as Educator…Adult Music Learning in Formal, Nonformal, and Informal Contexts (2012)Adult Music Learning in Forma…Continuity, change and mature musical identity construction: Using ‘Rivers of Musical Experience’ to trace the musical lives of six mature-age keyboard players (2011)Continuity, change and mature…Older amateur keyboard players learning for self-fulfilment (2010)Older amateur keyboard player…‘There is no end to learning’: Lifelong education and the joyful learner (2010)‘There is no end to learning’…Musical Styles as Communities of Practice Challenges for learning, teaching and assessment of music in higher education (2009)Musical Styles as Communities…Learning in a Celtic Community: An Exploration of Informal Music Learning and Adult Amateur Musicians (2009)Learning in a Celtic Communit…Understanding what it means for older students to learn basic musical skills on a keyboard instrument (2008)Understanding what it means f…The medium is the message: cyberspace, community, and music learning in the Irish traditional music virtual community (2008)The medium is the message: cy…Social Issues in Music Education (2007)Social Issues in Music Educat…Music Beyond School: Learning through Participation (2007)Music Beyond School: Learning…Action, Criticism and Theory for Music Education (2004)Action, Criticism and Theory …Emotion and Meaning in Music (1961)Does Experience in the Arts Boost Academic Achievement? 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(1986)Researching Lived Experience: Human Science for an Action Sensitive Pedagogy (1990)THE PSYCHOLOGY OF PERSONAL CONSTRUCTS (2010)Learning to make music in older adulthood: A mixed-methods exploration of impacts on wellbeing (2013)The power of music in the lives of older adults (2013)Adult perspectives of learning musical instruments (2015)Mind in Society: The Development of Higher Psychological Processes (1978)Case Study Research: Design and Methods (1984)Self-Efficacy: The Exercise of Control (1999)Connections Between Performer and Teacher Identities in Music Teachers: Setting an Agenda for Research (2009)The impact of music festival attendance on young people’s psychological and social well-being (2010)Teachers' use of digital technology in secondary music education: illustrations of changing classrooms (2011)Bowling alone: the collapse and revival of American community (2000)Music in Everyday Life (2000)Bowling Alone: The Collapse and Revival of American Community (2001)Learning through the Arts: Lessons of Engagement (2005)Psychology for Musicians (2007)The beat goes on: music education, identity and lifelong learning (2011)Intrinsic Motivation and Self-Determination in Human Behavior (1985)Social Foundations of Thought and Action : A Social Cognitive Theory (1985)Intrinsic Motivation and Self-Determination in Human Behavior (1988)Motivational Beliefs, Values, and Goals (2002)Technology Acceptance Model 3 and a Research Agenda on Interventions (2008)Intrinsic and extrinsic motivation from a self-determination theory perspective: Definitions, theory, practices, and future directions (2020)Virtual Ethnography (2000)Qualitative Research: A Guide to Design and Implementation (2009)Networked (2012)Remote Learning in School Bands During the COVID-19 Shutdown (2020)Reflecting on the ‘Community’ in Community Music School after a transition to all-online instruction (2021)Students' Attitudes Toward Online Music Education During the COVID 19 Lockdown (2021)Mutual Learning and Democratic Action in Instrumental Music Education (2003)Formal and informal learning situations or practices vs formal and informal ways of learning (2006)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)“To Play as if from the Soul of the Composer”: The Idea of the Performer in Early Romantic Aesthetics (2005)One-to-one tuition in a conservatoire: the perceptions of instrumental and vocal students (2009)Rethinking Giftedness and Gifted Education (2011)Club cultures: music, media and subcultural capital (1996)Places around us: embodied lay geographies in leisure and tourism (2000)
this work references cited by second hop

References

  • 2000Intrinsic and Extrinsic Motivations: Classic Definitions and New Directions22,043 cited
  • 2002How Popular Musicians Learn: A Way Ahead for Music Education1,023 cited
  • 1989The Hidden Musicians: Music-Making in an English Town455 cited
  • 1988Music talent, and performance: a conservatory cultural system375 cited
  • 2001Emotion, Functionality and the Everyday Experience of Music: Where does music education fit?106 cited
  • 2002Informal Learning of Musical Instruments: The importance of social context68 cited
  • 2004Mapping Music Education Research in the UK58 cited
  • 1993The British Folk Scene: Musical Performance and Social Identity29 cited
  • 1967Factors Relating to Carryover of Music Training into Adult Life20 cited
  • 1996Informal Learning and Adult Music Activities.15 cited
  • 1996Truth, Perceptions, and Cultural Constructs in Ethnographic Research: Music Teaching and Learning in Ireland.11 cited
  • 1998America's popular music traditions as “Canon‐Fodder”9 cited
  • 1989The Fiddle Tradition of the Shetland Isles8 cited

Cited by

  • 2004Action, Criticism and Theory for Music Education101 cited
  • 2008Understanding what it means for older students to learn basic musical skills on a keyboard instrument

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62 cited
  • 2019“It’s never too late ”: Adult students and music learning in one online and offline convergent community music school50 cited
  • 2010‘There is no end to learning’: Lifelong education and the joyful learner44 cited
  • 2008The medium is the message: cyberspace, community, and music learning in the Irish traditional music virtual community42 cited
  • 2015Communities of practice in the conservatory: learning with a professional musician40 cited
  • 2009Musical Styles as Communities of Practice Challenges for learning, teaching and assessment of music in higher education37 cited
  • 2010Older amateur keyboard players learning for self-fulfilment32 cited
  • 2012Adult Music Learning in Formal, Nonformal, and Informal Contexts32 cited
  • 2007Music Beyond School: Learning through Participation31 cited
  • 2009Learning in a Celtic Community: An Exploration of Informal Music Learning and Adult Amateur Musicians29 cited
  • 2007Social Issues in Music Education22 cited
  • 2011Continuity, change and mature musical identity construction: Using ‘Rivers of Musical Experience’ to trace the musical lives of six mature-age keyboard players14 cited
  • 2025Happy Work, Happy Life? A Replication and Comparison of the Longitudinal Effects Between Job and Life Satisfaction Using Continuous Time Meta‐Analysis14 cited
  • 2018“Not just bow and string and notes”: Directors’ perspectives on community building as pedagogy in Celtic traditional music education organizations13 cited
  • 2014Tradition Bearers as Educators: A Multi-Case Study of the Teaching Behaviors and Beliefs of Three Old-Time Musicians6 cited