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The Artist‐Led Pedagogic Process in the Contemporary Art Gallery: Developing a Meaning Making Framework
7 references·9 citing·37 second hop
The Artist‐Led Pedagogic Process in the Contemporary Art Gallery: Developing a Meaning Making Framework (2009)The Artist‐Led Pedagogic Process in the C…The Art of Teaching in the Museum (2005)The Art of Teaching in the Mu…Creativity in Schools (2005)Creativity in SchoolsArt and its Publics (2003)Art and its PublicsAesthetic Understanding as Informed Experience: The Role of Knowledge in Our Art Viewing Experiences (2003)Aesthetic Understanding as In…Developing Professional Knowledge And Competence (2002)Developing Professional Knowl…The reflective practitioner: How professionals think in action (1984)The reflective practitioner: …Experiential Learning : Experience as the Source of Learning and Development (1983)Experiential Learning : Exper…‘Getting Hands On with Other Creative Minds’: Establishing a Community of Practice around Primary Art and Design at the Art Museum (2021)‘Getting Hands On with Other …The Shock of the New (2020)The Shock of the NewHow do we integrate skills and content in classics? An inquiry into students’ use of sources (2019)How do we integrate skills an…Stop-motion to foster digital literacy in Elementary School (2017)Stop-motion to foster digital…Is it ‘all about having an opinion’? Challenging the Dominance of Rationality and Cognition in Democratic Education via Research in a Gallery Setting (2016)Is it ‘all about having an op…Concepts as Context: Thematic Museum Education and its Influence on Meaning Making (2014)Concepts as Context: Thematic…Collaborative Design Studio on Trial: A Conceptual Framework in Practice (2014)Collaborative Design Studio o…A Convergence of Three: The Reflexive Capacity of Art Practice, Curriculum Design, and Pedagogy (2014)A Convergence of Three: The R…Older People Learning through Contemporary Visual Art – Engagement and Barriers (2013)Older People Learning through…Habits of the Heart: Individualism and Commitment in American Life (1986)Culture and the Self: Implications for Cognition, Emotion, and Motivation (1991)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)Creativity and Education (2010)Fostering Creativity through Education – A Conceptual Framework of Creative Pedagogy (2011)Teachers’ beliefs about creativity and its nurture: A systematic review of the recent research literature (2017)Coming to Terms: How Researchers in Learning and Literacy Talk About Knowledge (1991)Merriam-Webster's collegiate dictionary (1993)Concepts of Art and Interpretation in Interviews with Educators from Tate Britain (2013)Art Appreciation as a Learned Competence: A Museum-based Qualitative Study of Adult Art Specialist and Art Non-Specialist Visitors (2015)Three Modes of Dialogue about Works of Art (2010)Illustrating Interpretive Inquiry: A Reflection for Art Museum Education (2011)Learning to Teach in the Field: Five Professors Tell How Running an Overseas Study Tour Improved Their Classroom Teaching (2019)Art as Experience (1934) (2026)A Review of School-Based Initiatives in Media Literacy Education (2004)The Educational Value of Field Trips. (2014)Empowering Education (1992)Non-Places: Introduction to an Anthropology of Supermodernity. (1996)A Visual Inquiry: Artist–Teacher Perceptions of Art Education Provision in Singapore (2022)A systematic literature review of cognitive exchange in higher degree visual art education (2023)Managing cognitive dissonance in art teacher education (2023)Thought and language (1962)Situated Learning (1991)Situated Learning: Legitimate Peripheral Participation. (1994)Communities of practice in art and design teaching in higher education: Considering the literature (2024)Non‐formal learning and tacit knowledge in professional work (2000)Informal learning in the workplace (2004)Professional Learning Communities: A Review of the Literature (2006)Bridging Epistemologies: The Generative Dance Between Organizational Knowledge and Organizational Knowing (1999)Knowledge and Organization: A Social-Practice Perspective (2001)Managing the co-creation of value (2007)Learning Styles and Learning Spaces: Enhancing Experiential Learning in Higher Education (2005)Why Minimal Guidance During Instruction Does Not Work: An Analysis of the Failure of Constructivist, Discovery, Problem-Based, Experiential, and Inquiry-Based Teaching (2006)The ‘digital natives’ debate: A critical review of the evidence (2008)Public et non-public du patrimoine culturel : deux enquêtes sur les manifestations différenciées de l’intérêt et du désintérêt (2009)Beyond public artopia: public art as perceived by its publics (2011)The multisensory museum (2012)
this work references cited by second hop

References

  • 1983Experiential Learning : Experience as the Source of Learning and Development33,193 cited
  • 1984The reflective practitioner: How professionals think in action19,752 cited
  • 2002Developing Professional Knowledge And Competence3,674 cited
  • 2005Creativity in Schools742 cited
  • 2003Art and its Publics63 cited
  • 2005The Art of Teaching in the Museum55 cited
  • 2003Aesthetic Understanding as Informed Experience: The Role of Knowledge in Our Art Viewing Experiences38 cited

Cited by

  • 2017Stop-motion to foster digital literacy in Elementary School30 cited
  • 2021‘Getting Hands On with Other Creative Minds’: Establishing a Community of Practice around Primary Art and Design at the Art Museum21 cited
  • 2020The Shock of the New12 cited
  • 2014Collaborative Design Studio on Trial: A Conceptual Framework in Practice11 cited
  • 2016Is it ‘all about having an opinion’? Challenging the Dominance of Rationality and Cognition in Democratic Education via Research in a Gallery Setting8 cited
  • 2014A Convergence of Three: The Reflexive Capacity of Art Practice, Curriculum Design, and Pedagogy8 cited
  • 2014Concepts as Context: Thematic Museum Education and its Influence on Meaning Making7 cited

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2013
Older People Learning through Contemporary Visual Art – Engagement and Barriers
7 cited
  • 2019How do we integrate skills and content in classics? An inquiry into students’ use of sources3 cited