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“Ultramoderne”: Or, How George Kubler Stole the Time in Sixties Art · Study

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Article“Ultramoderne”: Or, How George Kubler Stole the Time in Sixties Art

Pamela M. Lee2001

Article2001

“Ultramoderne”: Or, How George Kubler Stole the Time in Sixties Art

39 citations·0/0 files stored·Grey Room

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Visual Culture and Art Theory Art, Politics, and Modernism Art, Aesthetics, and Perception

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1994The Ontology of the Enemy: Norbert Wiener and the Cybernetic Vision

Cited by

2004Gyorgy Kepes, Billy Klüver, and American Art of the 1960s: Defining Attitudes Toward Science and Technology 2006Topological Pathways of Post-Minimalism 2013Americocentrism and Art of the Caribbean: Contours of a Time–Space Logic 2004Editor's Introduction: I. Writing Modern Art and Science – An Overview; II. Cubism, Futurism, and Ether Physics in the Early Twentieth Century 2014The Tragedy of Radical Subjectivity: From Radical Software to Proprietary Subjects

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Details

Year2001

Typearticle

Published2001-01-01

VenueGrey Room

ISSN-L1526-3819

Languageen

Citations39

Files0 public / 0

ShelfVisual Culture and Art Theory

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doi10.1162/152638101750172993

openalex_workW2174240926

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