SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
“Ultramoderne”: Or, How George Kubler Stole the Time in Sixties Art
1 references·6 citing·30 second hop
“Ultramoderne”: Or, How George Kubler Stole the Time in Sixties Art (2001)“Ultramoderne”: Or, How George Kubler Sto…The Ontology of the Enemy: Norbert Wiener and the Cybernetic Vision (1994)The Ontology of the Enemy: No…The Tragedy of Radical Subjectivity: From Radical Software to Proprietary Subjects (2014)The Tragedy of Radical Subjec…An archaeology of abstraction:Ollantaytambo (2013)An archaeology of abstraction…Americocentrism and Art of the Caribbean: Contours of a Time–Space Logic (2013)Americocentrism and Art of th…Topological Pathways of Post-Minimalism (2006)Topological Pathways of Post-…Gyorgy Kepes, Billy Klüver, and American Art of the 1960s: Defining Attitudes Toward Science and Technology (2004)Gyorgy Kepes, Billy Klüver, a…Editor's Introduction: I. Writing Modern Art and Science – An Overview; II. Cubism, Futurism, and Ether Physics in the Early Twentieth Century (2004)Editor's Introduction: I. Wri…Imperial Eyes: Travel Writing and Transculturation (1993)Imperial Eyes: Travel Writing and Transculturation. (1993)Vision, Race, and Modernity (1997)Archaeological Restoration and Heritage Actions in Ollantaytambo (2018)Understanding Media: The Extensions of Man (1964)The fourth dimension and non-Euclidean geometry in modern art (2013)Why MIT Institutionalized the Avant-Garde: Negotiating Aesthetic Virtue in the Postwar Defense Institute (2013)Experiment! Towards an artistic epistemology (2015)Land-Grant Hybrids: From Art and Technology to SEAD (2017)THE QUESTION CONCERNING TECHNOLOGY (2018)Steps to an Ecology of Mind (1973)How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics (2001)Cybernetics or Control and Communication in the Animal and the Machine (2019)The Structure of Scientific Revolutions (1963)The Structure of Scientific Revolutions (1963)The Structure of Scientific Revolutions. (1964)Surveying the literature on technoscience art: from pioneer stories to collaborations between artists, scientists and engineers as the object of study (2017)Network Fever (2001)Protocol, Control, and Networks (2004)“A Line with Variable Direction, which Traces No Contour, and Delimits No Form” (2011)Editor's Introduction: What Bound the Double Bind? (2017)The Work of Art in the Age of Deindustrialization (2017)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Time and the Other: How Anthropology Makes Its Object (1983)Provincializing Europe: Postcolonial Thought and Historical Difference (2001)NOTES ON IMAGINING AFROPEA (2016)A multi-analytical study of the palette of impressionist and post-impressionist Puerto Rican artists (2022)An Engine, Not a Camera (2006)An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography (2007)If...Then (2018)
this work references cited by second hop

References

  • 1994The Ontology of the Enemy: Norbert Wiener and the Cybernetic Vision667 cited

Cited by

  • 2004Gyorgy Kepes, Billy Klüver, and American Art of the 1960s: Defining Attitudes Toward Science and Technology29 cited
  • 2006Topological Pathways of Post-Minimalism17 cited
  • 2013Americocentrism and Art of the Caribbean: Contours of a Time–Space Logic14 cited
  • 2004Editor's Introduction: I. Writing Modern Art and Science – An Overview; II. Cubism, Futurism, and Ether Physics in the Early Twentieth Century10 cited
  • 2014The Tragedy of Radical Subjectivity: From Radical Software to Proprietary Subjects9 cited
  • 2013An archaeology of abstraction:Ollantaytambo5 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work