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Music theory and analysis
16 references·3 citing·28 second hop
Music theory and analysis (2009)Music theory and analysisEmpirical Musicology (2004)Empirical MusicologyAnalysis of Tonal Music: A Schenkerian Approach (2001)Analysis of Tonal Music: A Sc…Playing with Signs: A Semiotic Interpretation of Classic Music (1991)Playing with Signs: A Semioti…Playing with Signs (1991)Playing with SignsIntroduction to Post-Tonal Theory (1991)Introduction to Post-Tonal Th…Music Analysis in Theory and Practice (1988)Music Analysis in Theory and …A Guide to Musical Analysis (1988)A Guide to Musical AnalysisThe Structure of Atonal Music (1974)The Structure of Atonal MusicThe Structure of Atonal Music (1973)The Structure of Atonal MusicGuidelines for Style Analysis (1972)Guidelines for Style AnalysisGuidelines for Style Analysis (1971)Guidelines for Style AnalysisFundamentals of Musical Composition (1968)Fundamentals of Musical Compo…The Rhythmic Structure of Music (1962)The Rhythmic Structure of Mus…The Rhythmic Structure of Music (1961)The Rhythmic Structure of Mus…Emotion and Meaning in Music (1961)Emotion and Meaning in MusicEmotion and Meaning in Music (1957)Emotion and Meaning in MusicMusic Criticism in Italy in the Twentieth Century (2019)Music Criticism in Italy in t…Critiquing the Canon: The Role of Criticism in Canon Formation (2019)Critiquing the Canon: The Rol…Cases on Electronic Records and Resource Management Implementation in Diverse Environments (2013)Cases on Electronic Records a…The so-called ‘flattened seventh’ in rock (1995)Epistemologies of music theory (2002)Form, Program, and Metaphor in the Music of Berlioz (2009)Handbook of Emotions (1993)A cognitive developmental approach to morality: investigating the psychopath (1995)Well-being : the foundations of hedonic psychology (1999)Theorizing Musical Meaning (2001)Action and Agency Revisited (2013)The orchestral revolution: Haydn and the technologies of timbre (2013)Liszt's Experimental Idiom and Music of the Early Twentieth Century (1987)Atonal prolongational structure (1989)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Art As Collective Action (1974)Music and Language (1994)Correlates of linguistic rhythm in the speech signal (1999)Cadential processes: The evaded cadence and the “one more time” technique (1992)Schoenberg's Musical Imagination (2007)Music as Discourse (2008)Analysing popular music: theory, method and practice (1982)Emotion recognition based on physiological changes in music listening (2008)Organized sensemaking: A commentary on processes of interpretive work (2012)A Cognitive Theory of Musical Meaning (2000)The Classical Cadence: Conceptions and Misconceptions (2004)Q-analysis, or a language of structure: an introduction for social scientists, geographers and planners (1980)(Ac)cumulative Form in Pop-Rock Music (2004)An Overview of Hierarchical Structure in Music (1983)Fantasy Pieces (1999)Assessment of rhythmic entrainment at multiple timescales in dyslexia: Evidence for disruption to syllable timing (2013)
this work references cited by second hop

References

  • 1961Emotion and Meaning in Music1,957 cited
  • 1957Emotion and Meaning in Music1,026 cited
  • 1962The Rhythmic Structure of Music521 cited
  • 1973The Structure of Atonal Music501 cited
  • 1968Fundamentals of Musical Composition457 cited
  • 1991Playing with Signs386 cited
  • 1961The Rhythmic Structure of Music366 cited
  • 1988A Guide to Musical Analysis341 cited
  • 1991Playing with Signs: A Semiotic Interpretation of Classic Music331 cited
  • 1974The Structure of Atonal Music297 cited
  • 1991Introduction to Post-Tonal Theory277 cited
  • 1972Guidelines for Style Analysis163 cited
  • 2004Empirical Musicology113 cited
  • 1988Music Analysis in Theory and Practice109 cited
  • 2001Analysis of Tonal Music: A Schenkerian Approach89 cited
  • 1971Guidelines for Style Analysis51 cited

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  • 2013Cases on Electronic Records and Resource Management Implementation in Diverse Environments

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4 cited
  • 2019Critiquing the Canon: The Role of Criticism in Canon Formation4 cited
  • 2019Music Criticism in Italy in the Twentieth Century2 cited