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Tonality and transformation
16 references·4 citing·24 second hop
Tonality and transformation (2012)Tonality and transformationAudacious EuphonyChromatic Harmony and the Triad's Second Nature (2012)Audacious EuphonyChromatic Ha…A geometry of music: harmony and counterpoint in the extended common practice (2011)A geometry of music: harmony …Hexatonic Poles and the Uncanny in Parsifal (2007)Hexatonic Poles and the Uncan…Generalized Musical Intervals and Transformations (2007)Generalized Musical Intervals…Cross-Type Transformations and the Path Consistency Condition (2007)Cross-Type Transformations an…Studies in Music with Text (2006)Studies in Music with TextChromatic Transformations in Nineteenth-Century Music (2002)Chromatic Transformations in …Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Neo-Riemannian Operations, Pa…Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Maximally Smooth Cycles, Hexa…Aspects of Well-Formed Scales (1989)Aspects of Well-Formed ScalesA Mathematical Model of the Diatonic System (1989)A Mathematical Model of the D…Generalized Musical Intervals and Transformations (1988)Generalized Musical Intervals…Variety and Multiplicity in Diatonic Systems (1985)Variety and Multiplicity in D…Twentieth-Century Music: An Introduction (1969)Twentieth-Century Music: An I…Twentieth Century Music: An Introduction (1967)Twentieth Century Music: An I…Perspectives of New Music (1963)Perspectives of New MusicRethinking Brahms (2022)Rethinking BrahmsRethinking Schubert (2016)Rethinking SchubertRecords of Inspiration (2016)Records of InspirationFranz Schubert’s ‘New Style’ and the Legacy of Beethoven (2016)Franz Schubert’s ‘New Style’ …The Group-Theoretic Description of 12-Fold and Microtonal Pitch Systems (1980)Self-Similar Pitch Structures, Their Duals, and Rhythmic Analogues (1996)Scales, Sets, and Interval Cycles: A Taxonomy (1999)Music theory and mathematics (2002)Atonal prolongational structure (1989)The Cambridge History of American Music (1998)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Generalized Voice-Leading Spaces (2008)Action and Agency Revisited (2013)A Cognitive Theory of Musical Meaning (2000)The Geometry of Musical Chords (2006)A geometry of music: harmony and counterpoint in the extended common practice (2012)Scale Networks and Debussy (2004)The distance geometry of music (2008)A Pop Music Progression in Recent Popular Movies and Movie Trailers (2014)A Platonic Model of Funky Rhythms (2016)The Syntax of Jazz Harmony: Diatonic Tonality, Phrase Structure, and Form (2020)The quilting points of musical modernism: revolution, reaction, and William Walton (2013)Musical Syntax I: Theoretical Perspectives (2018)Chromatic Transformations in Nineteenth-Century Music (2002)Music as Embodied Mathematics: A Study of a Mutually Informing Affinity (2003)Continuous Transformations (2004)Music, Modernity, and God (2013)Prolongational Closure in the Lieder of Fanny Hensel (2020)
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References

  • 1988Generalized Musical Intervals and Transformations487 cited
  • 1963Perspectives of New Music381 cited
  • 1996Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions376 cited
  • 1997Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations332 cited
  • 2011A geometry of music: harmony and counterpoint in the extended common practice292 cited
  • 2012Audacious EuphonyChromatic Harmony and the Triad's Second Nature237 cited
  • 1989Aspects of Well-Formed Scales170 cited
  • 1985Variety and Multiplicity in Diatonic Systems166 cited
  • 2007Generalized Musical Intervals and Transformations159 cited
  • 2006Studies in Music with Text82 cited
  • 1989A Mathematical Model of the Diatonic System74 cited
  • 1969Twentieth-Century Music: An Introduction70 cited
  • 2007Cross-Type Transformations and the Path Consistency Condition66 cited
  • 1967Twentieth Century Music: An Introduction59 cited
  • 2002Chromatic Transformations in Nineteenth-Century Music55 cited
  • 2007Hexatonic Poles and the Uncanny in Parsifal

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53 cited

Cited by

  • 2022Rethinking Brahms11 cited
  • 2016Rethinking Schubert6 cited
  • 2016Records of Inspiration4 cited
  • 2016Franz Schubert’s ‘New Style’ and the Legacy of Beethoven2 cited