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The Mass Ornament: Weimar Essays
0 references·16 citing·55 second hopsampled
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  • 2004Aesthetics of Superfluity350 cited
  • 2004Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy346 cited
  • 2014Anywhere or not at all: philosophy of contemporary art336 cited
  • 2009The Mass Production of the Senses: Classical Cinema as Vernacular Modernism335 cited
  • 2012Introduction: The Becoming Topological of Culture299 cited
  • 2007The Indexical and the Concept of Medium Specificity276 cited
  • 2007Modernism, Daily Time and Everyday Life274 cited
  • 2000Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism208 cited
  • 2004Automobility and the Power of Sound167 cited
  • 2014Techniques of Inattention: The Mediality of Loudspeakers in Nigeria155 cited
  • 2013Exhibiting Cinema in Contemporary Art140 cited
  • 2009BRAND AS ASSEMBLAGE122 cited
  • 2012Authoring war: the literary representation of war from the Iliad to Iraq101 cited
  • 2001The World According to Sound72 cited
  • 2004The Spectacle of Visual Culture58 cited

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2004
"What a Synoptic and Artificial View Reveals": Extreme History and the Modernism of W. G. Sebald's Realism
53 cited