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Topological Structures in Computer-Aided Music Analysis
10 references·0 citing·33 second hop
Topological Structures in Computer-Aided Music Analysis (2015)Topological Structures in Computer-Aided …The Generalized Tonnetz (2012)The Generalized TonnetzAudacious EuphonyChromatic Harmony and the Triad's Second Nature (2012)Audacious EuphonyChromatic Ha…Z-relation and homometry in musical distributions (2011)Z-relation and homometry in m…Generalized Tonnetze (2011)Generalized TonnetzeGeneralized Voice-Leading Spaces (2008)Generalized Voice-Leading Spa…The topos of music: geometric logic of concepts, theory, and performance (2003)The topos of music: geometric…Some Aspects of Three-Dimensional "Tonnetze" (1998)Some Aspects of Three-Dimensi…Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Neo-Riemannian Operations, Pa…Traité de l'harmonie : réduite à ses principes naturels (1992)Traité de l'harmonie : réduit…The Structure of Atonal Music (1973)The Structure of Atonal MusicGeneralized Musical Intervals and Transformations (1988)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Schubert’s Harmonic Language and Fourier Phase Space (2015)Generic Sequences and the Generic Tonnetz (2020)The Webern in Mozart: Systems of Chromatic Harmony and Their Twelve-Tone Content (2020)The Structure of Atonal Music (1974)Strange Symmetries (2017)Entropy of Fourier coefficients of periodic musical objects (2020)A review of Godfried Toussaint's The Geometry of Musical Rhythm (2022)Scale Networks and Debussy (2004)The Geometry of Musical Chords (2006)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Incorporating Voice Permutations into the Theory of Neo-Riemannian Groups and Lewinian Duality (2013)Chordal and timbral morphologies using Hamiltonian cycles (2014)GeneralizedTonnetzeandZeitnetze, and the topology of music concepts (2020)Chromatic Transformations in Nineteenth-Century Music (2002)Voice-Leading Prototypes and Harmonic Function in Two Chorale Corpora (2011)Musical Syntax I: Theoretical Perspectives (2018)Weitzmann's Regions, My Cycles, and Douthett's Dancing Cubes (2000)Uniform Triadic Transformations (2002)Neo-Riemannian Theory and the Analysis of Pop-Rock Music (2004)A Cognitive Theory of Musical Meaning (2000)A geometry of music: harmony and counterpoint in the extended common practice (2012)Liszt's Experimental Idiom and Music of the Early Twentieth Century (1987)Atonal prolongational structure (1989)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Tonality and transformation (2012)A Platonic Model of Funky Rhythms (2016)The Syntax of Jazz Harmony: Diatonic Tonality, Phrase Structure, and Form (2020)Diagrams, gestures and formulae in music (2007)Musical intervals and special linear transformations (2007)S cale T heory , S erial T heory and V oice L eading (2008)
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References

  • 1973The Structure of Atonal Music501 cited
  • 1997Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations332 cited
  • 2012Audacious EuphonyChromatic Harmony and the Triad's Second Nature237 cited
  • 2008Generalized Voice-Leading Spaces235 cited
  • 2003The topos of music: geometric logic of concepts, theory, and performance152 cited
  • 1998Some Aspects of Three-Dimensional "Tonnetze"132 cited
  • 1992Traité de l'harmonie : réduite à ses principes naturels89 cited
  • 2012The Generalized Tonnetz64 cited
  • 2011Z-relation and homometry in musical distributions21 cited
  • 2011Generalized Tonnetze17 cited

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