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Crossing the pond: Jazz, race and gender in interwar Paris
16 references·0 citing·33 second hop
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this work references cited by second hop

References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 2023Black Skin, White Masks6,308 cited
  • 1997The Black Atlantic: Modernity and Double Consciousness.4,759 cited
  • 1992Black looks: race and representation4,673 cited
  • 2002Ethnicity without groups2,628 cited
  • 2001The Many-Headed Hydra: Sailors, Slaves, Commoners, and the Hidden History of the Revolutionary Atlantic1,364 cited
  • 2017The Great War and Modern Memory1,291 cited
  • 1998Blues legacies and black feminism: Gertrude "Ma" Rainey, Bessie Smith, and Billie Holiday945 cited
  • 2000Music and the racial imagination629 cited
  • 1981When Harlem was in Vogue281 cited
  • 2004Swinging the machine: modernity, technology, and African American culture between the World Wars271 cited
  • 1999Popular Music in Theory: An Introduction222 cited
  • 2017Atlantic History: Concept and Contours218 cited
  • 2004The Judith Butler Reader213 cited
  • 2020The Negro Artist and the Racial Mountain163 cited
  • 2003The Color of Liberty144 cited

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