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Digital Voices, Other Rooms: Pussy Riot’s Recalcitrant (In)Corporeality
16 references·1 citing·30 second hop
Digital Voices, Other Rooms: Pussy Riot’s Recalcitrant (In)Corporeality (2015)Digital Voices, Other Rooms: Pussy Riot’s…Background Noise: Perspectives on Sound Art (2006)Background Noise: Perspective…Unmarked (2003)UnmarkedThe Male Body: A New Look at Men in Public and in Private (1999)The Male Body: A New Look at …Noise, Water, Meat (1999)Noise, Water, MeatHow We Became Posthuman (1999)How We Became PosthumanNomadic subjects: embodiment and sexual difference in contemporary feminist theory (1995)Nomadic subjects: embodiment …Unmarked: The Politics of Performance (1994)Unmarked: The Politics of Per…Black looks: race and representation (1992)Black looks: race and represe…The acoustic mirror: the female voice in psychoanalysis and cinema (1989)The acoustic mirror: the fema…The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)The Acoustic Mirror: The Fema…Mass Culture as Woman: Modernism’s Other (1986)Mass Culture as Woman: Modern…Kino-Eye: The Writings of Dziga Vertov (1986)Kino-Eye: The Writings of Dzi…Masculinity as Spectacle (1983)Masculinity as SpectacleWoman, culture and society (1975)Woman, culture and societyVisual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…The Presence of the Word. Some Prolegomena for Cultural and Religious History (1970)The Presence of the Word. Som…From Pussy Riot’s ‘punk prayer’ to Matilda: Orthodox believers, critique, and religious freedom in Russia (2019)From Pussy Riot’s ‘punk praye…After Ant: Complexity, Naming and Topology (1999)Poststructural feminism in education: An overview (2000)Gender Mainstreaming: Productive Tensions in Theory and Practice (2005)Evil Deceivers and Make-Believers: On Transphobic Violence and the Politics of Illusion (2007)Intersectionality as buzzword (2008)The unbearable heaviness of climate coloniality (2022)Millennial Capitalism: First Thoughts on a Second Coming (2000)Editorial: Mobilities, Immobilities and Moorings (2006)The New Mobilities Paradigm (2006)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)“The question of belief”: writing poststructural ethnography (1995)Body Projects of Young Women of Color in Physics: Intersections of Gender, Race, and Science (2005)Practice as Research in the Arts (2013)Audio-vision: sound on screen (1994)Critical pedagogy and predatory culture (1994)Anthropology and Voice (2014)Doing anthropology in sound (2004)An anthropologist underwater: Immersive soundscapes, submarine cyborgs, and transductive ethnography (2007)Soundscapes: Toward a Sounded Anthropology (2010)Matter out of place: visibility and sexualities in leisure spaces (1999)Reading Erasures and Making the Familiar Strange: Defamiliarizing Methods for Research in Formerly Colonized and Historically Oppressed Communities (2003)The Art of Doing (Geographies of) Music (2007)Emotional Labour: Skill and Work in the Social Regulation of Feelings (1989)Can There Be A Feminist Ethnography? (1990)Cross-Currents in the River of Time: Conceptualizing the Complexities of Women's Careers (1992)Eroticizing Men: Cultural Influences on Advertising and Male Objectification (2002)Those Speedos Become Them (2007)Sexual Objectification of Women: Advances to Theory and Research 1ψ7 (2010)
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References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1999How We Became Posthuman5,281 cited
  • 1992Black looks: race and representation4,673 cited
  • 1995Nomadic subjects: embodiment and sexual difference in contemporary feminist theory2,694 cited
  • 1994Unmarked: The Politics of Performance1,810 cited
  • 1989The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema902 cited
  • 2003Unmarked803 cited
  • 1999The Male Body: A New Look at Men in Public and in Private723 cited
  • 1975Woman, culture and society704 cited
  • 1999Noise, Water, Meat602 cited
  • 1970The Presence of the Word. Some Prolegomena for Cultural and Religious History568 cited
  • 1986Kino-Eye: The Writings of Dziga Vertov503 cited
  • 2006Background Noise: Perspectives on Sound Art432 cited
  • 1989The acoustic mirror: the female voice in psychoanalysis and cinema378 cited
  • 1983Masculinity as Spectacle338 cited
  • 1986Mass Culture as Woman: Modernism’s Other328 cited

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  • 2019From Pussy Riot’s ‘punk prayer’ to Matilda: Orthodox believers, critique, and religious freedom in Russia12 cited