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Favela Chic: Diplo,Funk Carioca, and the Ethics and Aesthetics of the Global Remix
16 references·0 citing·32 second hop
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References

  • 1994The Field of Cultural Production3,293 cited
  • 2002The field of Cultural Production2,461 cited
  • 1998Nationalizing Blackness: Afrocubanismo and Artistic Revolution in Havana, 1920-1940748 cited
  • 1998Global Pop: World Music, World Markets402 cited
  • 1990Paul Simon's Graceland, South Africa, and the Mediation of Musical Meaning314 cited
  • 1998Nationalizing blackness: Afrocubanismo and artistic revolution in Havana, 1920-1940228 cited
  • 2013The Security Archipelago216 cited
  • 2001Brutality Garden205 cited
  • 2012Poor but Happy: Volunteer Tourists’ Encounters with Poverty142 cited
  • 2011Terms of Inclusion142 cited
  • 2013Sound Praxis, Poverty, and Social Participation: Perspectives from a Collaborative Study in Rio De Janeiro69 cited
  • 2012Urban Poverty, Spatial Representation and Mobility: Touring a Slum in Mexico56 cited
  • 2005Latin American cinema: essays on modernity, gender and national identity52 cited
  • 2008Ghettourism and Voyeurism, or Challenging Stereotypes and Raising Consciousness? Literary and Non‐literary Forays into the Favelas of Rio de Janeiro51 cited
  • 2004Favelas and the aesthetics of realism: Representations in film and literature

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38 cited
  • 2008Favela Utopias: The Bailes Funk in Rio's Crisis of Social Exclusion and Violence21 cited
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