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The delirious vision: the vogue for the hand-held camera in Soviet cinema of the 1920s
6 references·0 citing·18 second hop
The delirious vision: the vogue for the hand-held camera in Soviet cinema of the 1920s (2013)The delirious vision: the vogue for the h…Early Cinema in Russia and its Cultural Reception (2013)Early Cinema in Russia and it…Fast forward: the aesthetics and ideology of speed in Russian avant-garde culture, 1910-1930 (2010)Fast forward: the aesthetics …Dziga Vertov: defining documentary film (2008)Dziga Vertov: defining docume…'The Classical Hollywood Cinema: Film Style & Mode of Production to 1960,' David Bordwell, Janet Staiger and Kristin Thompson, Routledge & Kegan Paul, London, Melbourne and Henley, 1985 (1986)'The Classical Hollywood Cine…American Silent Film (1979)American Silent FilmThe Haunted Screen: Expressionism in the German cinema and the influence of Max Reinhardt (1969)The Haunted Screen: Expressio…Moving Pictures (1999)Film Architecture and the Transnational Imagination (2007)Gestural Imaginaries (2019)Understanding cinema a psychological theory of moving imagery (2003)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)Dreams of Modernity (2014)Race, sex, and servitude: Images of blacks in American cinema (1990)Blondes Have More Fun : Anita Loos and the Language of Silent Cinema (2010)‘Those funny subtitles’: Silent film intertitles in exhibition and discourse (2012)THE RESOURCE-BASED VIEW OF THE FIRM IN TWO ENVIRONMENTS: THE HOLLYWOOD FILM STUDIOS FROM 1936 TO 1965. (1996)Mixing genres and matching people: a study in innovation and team composition in Hollywood (2007)The Attentional Theory of Cinematic Continuity (2012)Dziga Vertov's Soviet Toys : Commerce, Commercialization and Cartoons (2008)Post-revolution nonfiction film: building the Soviet and Cuban nations (2014)Early Film Culture in Hong Kong, Taiwan, and Republican China (2017)Epilogue: Modernism after Postmodernism (2017)Modernist Temporality: The Science and Philosophy and Aesthetics of Temporality from 1880 (2017)The Cambridge History of Modernism (2017)
this work references cited by second hop

References

  • 1986'The Classical Hollywood Cinema: Film Style & Mode of Production to 1960,' David Bordwell, Janet Staiger and Kristin Thompson, Routledge & Kegan Paul, London, Melbourne and Henley, 1985380 cited
  • 1969The Haunted Screen: Expressionism in the German cinema and the influence of Max Reinhardt199 cited
  • 2010Fast forward: the aesthetics and ideology of speed in Russian avant-garde culture, 1910-193082 cited
  • 2013Early Cinema in Russia and its Cultural Reception78 cited
  • 2008Dziga Vertov: defining documentary film64 cited
  • 1979American Silent Film36 cited

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