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The Oxford Handbook of Music Education, Volume 2
9 references·4 citing·40 second hop
The Oxford Handbook of Music Education, Volume 2 (2012)The Oxford Handbook of Music Education, V…The individual and social worlds of children’s musical creativities (2015)The individual and social wor…Children as creative thinkers in music (2012)Children as creative thinkers…A University—School Music Partnership for Music Education Majors in a Culturally Distinctive Community (2009)A University—School Music Par…Playing to teach music – embodiment and identity-making in musikdidaktik (2008)Playing to teach music – embo…Elaboration, Counterpoint, Transgression: Music and the Role of the Aesthetic in the Criticism of Edward W. Said (2008)Elaboration, Counterpoint, Tr…Bridging the University–School Divide (2007)Bridging the University–Schoo…Starting at secondary school (1996)Starting at secondary schoolTeaching to transgress: education as the practice of freedom (1995)Teaching to transgress: educa…Boulez on Music Today (1971)Boulez on Music TodayThe Psychology of Music Learning (2022)The Psychology of Music Learn…The importance of threshold concepts and formative assessment in lower-secondary school group composing (2022)The importance of threshold c…Some Challenges of Practice Based/Centred Enquiry (2013)Some Challenges of Practice B…Complicated Conversation: Creating Opportunities for Transformative Practice in Higher Education Music Performance Research and Pedagogy (2013)Complicated Conversation: Cre…Case Study Research: Design and Methods (1984)Case Study Research: Design and Methods (1991)Communities of practice learning, meaning, and identity (1999)Communal Creativity as Sociomusical Practice (2012)Musician and teacher: employability and identity (2013)Shifting From Fear to Self-confidence: Body Mapping as a Transformative Tool in Music Teacher Education (2016)A simplest systematics for the organization of turn-taking for conversation (1974)Communities of Practice (1998)Teachers' collaborative inquiry and professional growth: Should we be optimistic? (2008)Revisiting the notion of boundary object (2009)Negotiating Implementation of High-Stakes Performance Assessment Policies in Teacher Education: From Compliance to Inquiry (2010)Handbook of Qualitative Research (1994)Educational Research: Planning, Conducting, and Evaluating Quantitative and Qualitative Research (2001)Qualitative research: Methods in the social sciences (2006)A survey of rural primary school music education in Northeastern China (2013)The Diversification of Music Teacher Education (2013)“Knowing Their World” (2015)The Philosophical Discourse of Modernity (1985)The World, the Text, and the Critic (1986)Culture and Imperialism (2017)The nature of human intelligence (1967)Handbook of Creativity (1998)The Concept of Creativity: Prospects and Paradigms (1998)Investigating TPCK through music focusing on affect (2018)Using socio-digital technology to enhance participation and creative engagement in a lower secondary music classroom (2018)Situationsanalyse und ihre Mappingverfahren in musikpädagogischer Forschung: What’s new, what’s familiar? Bericht zum QFM-Forum auf dem AMPF 2021 (2022)Case study research: Design and methods (1986)Assessment and Classroom Learning (1998)Using thematic analysis in psychology (2006)Whose culture has capital? A critical race theory discussion of community cultural wealth (2005)Race, Culture, and Researcher Positionality: Working Through Dangers Seen, Unseen, and Unforeseen (2007)Autoethnography: An Overview (2010)Unpacking the habitus : Exploring a music teacher’s values, beliefs and practices (2015)Pupil voice and attitudes to music during the transition to secondary school (2016)Routes to Understanding Musical Creativity (2007)Teacher stance in creative learning: A study of progression (2007)Songcrafting: A teacher’s perspective of collaborative inquiry and creation of classroom practice (2013)Music, evolution and language (2006)The origins of language and the evolution of music: A comparative perspective (2008)Applications of DFT to the Theory of Twentieth-Century Harmony (2015)
this work references cited by second hop

References

  • 1995Teaching to transgress: education as the practice of freedom8,835 cited
  • 2007Bridging the University–School Divide144 cited
  • 2009A University—School Music Partnership for Music Education Majors in a Culturally Distinctive Community45 cited
  • 1971Boulez on Music Today43 cited
  • 2015The individual and social worlds of children’s musical creativities30 cited
  • 2012Children as creative thinkers in music28 cited
  • 2008Playing to teach music – embodiment and identity-making in musikdidaktik25 cited
  • 1996Starting at secondary school20 cited
  • 2008Elaboration, Counterpoint, Transgression: Music and the Role of the Aesthetic in the Criticism of Edward W. Said14 cited

Cited by

  • 2022The importance of threshold concepts and formative assessment in lower-secondary school group composing7 cited
  • 2022The Psychology of Music Learning7 cited
  • 2013Some Challenges of Practice Based/Centred Enquiry6 cited
  • 2013Complicated Conversation: Creating Opportunities for Transformative Practice in Higher Education Music Performance Research and Pedagogy6 cited

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