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The ‘co’ in co-production: Museums, community participation and Science and Technology Studies
16 references·13 citing·43 second hop
The ‘co’ in co-production: Museums, community participation and Science and Technology Studies (2016)The ‘co’ in co-production: Museums, commu…Behind the Scenes at the Science Museum (2020)Behind the Scenes at the Scie…Beyond “Natural” and “Cultural” Heritage: Toward an Ontological Politics of Heritage in the Age of Anthropocene (2015)Beyond “Natural” and “Cultura…The wrong bin bag: A turn to ontology in science and technology studies? (2013)The wrong bin bag: A turn to …New Materialism: Interviews & Cartographies (2012)New Materialism: Interviews &…Heritage: Critical Approaches (2012)Heritage: Critical ApproachesCo-production: The State of the Art in Research and the Future Agenda (2012)Co-production: The State of t…The recognition and misrecognition of community heritage (2010)The recognition and misrecogn…Legacies of prejudice: racism, co-production and radical trust in the museum (2010)Legacies of prejudice: racism…Cultural Studies in the Future Tense (2010)Cultural Studies in the Futur…Non-Representational Theory (2008)Non-Representational TheoryMuseums, Prejudice and the Reframing of Difference (2007)Museums, Prejudice and the Re…Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning (2007)Meeting the Universe Halfway:…Beyond the glass case : the past, the heritage and the public (2000)Beyond the glass case : the p…The Spell of the Sensuous: Perception and Language in a More Than Human World (1997)The Spell of the Sensuous: Pe…Crossing the great divide: Coproduction, synergy, and development (1996)Crossing the great divide: Co…We Have Never Been Modern (1994)We Have Never Been ModernThe “rebirth” of traditional musical instrument: An interactive installation based on augmented reality and somatosensory technology to empower the exhibition of chimes (2023)The “rebirth” of traditional …Multi-sensory Interactive Experience Design of Museum Musical Instrument Collections (2023)Multi-sensory Interactive Exp…Auxiliary collections as active collections: the case of Estonia (2023)Auxiliary collections as acti…Towards Sensibilities of Caring with and for Museum Objects in a University Context (2022)Towards Sensibilities of Cari…Displaying Co-Creation: An Enquiry into Participatory Engagement at the University Museum (2022)Displaying Co-Creation: An En…Um novo framework teórico para estudar museus itinerantes: o olhar para as fronteiras (2021)Um novo framework teórico par…Tangible co‐production? Engaging and creating with fathers (2020)Tangible co‐production? Engag…Exhibitions as Research (2019)Exhibitions as ResearchDeveloping Place‐Based Pedagogies to Challenge Institutional Authority (2019)Developing Place‐Based Pedago…Museum Object Lessons for the Digital Age (2018)Museum Object Lessons for the…Exploring Relations to Documents and Documentary Infrastructures: The Case of Museum Management After Austerity (2018)Exploring Relations to Docume…Casting a line: digital co‐production, hospitality and mobilities in cultural heritage settings (2018)Casting a line: digital co‐pr…Why Collect Science? (2017)Why Collect Science?Governing the Commons: The Evolution of Institutions for Collective Action (1992)Economics, Organization and Management. (1993)Production, Information Costs and Economic Organization (1996)Bonds and Bridges: Social Capital and Poverty (2002)Beyond Engagement and Participation: User and Community Coproduction of Public Services (2007)Varieties of Participation in Public Services: The Who, When, and What of Coproduction (2017)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)Governing the Commons (1990)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)From Engagement to Co-production: The Contribution of Users and Communities to Outcomes and Public Value (2012)Transforming the Public Sector Into an Arena for Co-Creation: Barriers, Drivers, Benefits, and Ways Forward (2016)From public service-dominant logic to public service logic: are public service organizations capable of co-production and value co-creation? (2017)We have never been modern (1994)Meeting the Universe Halfway (2007)New Materialisms: Foucault and the ‘Government of Things’ (2014)Assetization (2020)Techniques of futuring: On how imagined futures become socially performative (2021)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)Uses of Heritage (2006)Archival Activism: Independent and Community-led Archives, Radical Public History and the Heritage Professions (2011)Identifying heritage values in local communities (2011)Against reactionary populism: towards a new public archaeology (2018)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)The sociomateriality of organisational life: considering technology in management research (2009)Using Numbers in Qualitative Research (2010)‘Nothing Comes Without Its World’: Thinking with Care (2012)The significance of values: heritage value typologies re-examined (2016)Managing the Tradition and Innovation Paradox in Family Firms: A Family Imprinting Perspective (2019)Handbook of action research (2006)Sense of Place and Sense of Planet (2008)Agency at the Time of the Anthropocene (2014)Whose Knowledge, Whose nature? Biodiversity, Conservation, and the Political Ecology of Social Movements (1998)Governmentality (2006)INDIGENOUS COSMOPOLITICS IN THE ANDES: Conceptual Reflections beyond “Politics” (2010)Data flows and water woes: The Utah Data Center (2015)Place in research. Theory, methodology, and methods (2016)A Theoretical Framework for the Critical Posthumanities (2018)Affective spaces, melancholic objects: ruination and the production of anthropological knowledge* (2009)Emotions and affect in recent human geography (2009)Assemblages and Actor‐networks: Rethinking Socio‐material Power, Politics and Space (2015)
this work references cited by second hop

References

  • 1994We Have Never Been Modern7,931 cited
  • 2007Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning7,214 cited
  • 1996Crossing the great divide: Coproduction, synergy, and development2,656 cited
  • 2008Non-Representational Theory2,360 cited
  • 1997The Spell of the Sensuous: Perception and Language in a More Than Human World1,989 cited
  • 2012New Materialism: Interviews & Cartographies1,105 cited
  • 2012Heritage: Critical Approaches1,074 cited
  • 2010The recognition and misrecognition of community heritage623 cited
  • 2012Co-production: The State of the Art in Research and the Future Agenda584 cited
  • 2013The wrong bin bag: A turn to ontology in science and technology studies?548 cited
  • 2010Cultural Studies in the Future Tense496 cited
  • 2015Beyond “Natural” and “Cultural” Heritage: Toward an Ontological Politics of Heritage in the Age of Anthropocene407 cited
  • 2007Museums, Prejudice and the Reframing of Difference289 cited
  • 2020Behind the Scenes at the Science Museum253 cited
  • 2010Legacies of prejudice: racism, co-production and radical trust in the museum157 cited

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2000
Beyond the glass case : the past, the heritage and the public
60 cited

Cited by

  • 2019Exhibitions as Research17 cited
  • 2023The “rebirth” of traditional musical instrument: An interactive installation based on augmented reality and somatosensory technology to empower the exhibition of chimes17 cited
  • 2020Tangible co‐production? Engaging and creating with fathers9 cited
  • 2018Exploring Relations to Documents and Documentary Infrastructures: The Case of Museum Management After Austerity8 cited
  • 2018Museum Object Lessons for the Digital Age6 cited
  • 2017Why Collect Science?6 cited
  • 2019Developing Place‐Based Pedagogies to Challenge Institutional Authority6 cited
  • 2018Casting a line: digital co‐production, hospitality and mobilities in cultural heritage settings5 cited
  • 2023Multi-sensory Interactive Experience Design of Museum Musical Instrument Collections5 cited
  • 2022Towards Sensibilities of Caring with and for Museum Objects in a University Context1 cited
  • 2023Auxiliary collections as active collections: the case of Estonia1 cited
  • 2021Um novo framework teórico para estudar museus itinerantes: o olhar para as fronteiras1 cited
  • 2022Displaying Co-Creation: An Enquiry into Participatory Engagement at the University Museum1 cited