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Ganda xylophone music: another approach
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Ganda xylophone music: another approach (1970)Ganda xylophone music: another approachNguni Vocal Polyphony (1967)Nguni Vocal PolyphonyThe phenomenon of inherent rhythms in East and Central African instrumental music (1962)The phenomenon of inherent rh…African Music from the Source of the Nile (1956)African Music from the Source…An Equal-Stepped Tuning in a Ganda Harp (1950)An Equal-Stepped Tuning in a …African Negro Music (1928)African Negro MusicTonality as a Colonizing Force in Africa (2023)Tonality as a Colonizing Forc…Towards a justification for a philosophy of music education: a quodlibet for South Africa (2008)Towards a justification for a…Resisting Sameness: À propos Kofi AgawuÕs Representing African Music (2004)Resisting Sameness: À propos …Xylophone music of Uganda: theembaire of Nakibembe, Busoga (1999)Xylophone music of Uganda: th…Rwenzururu protest songs (1982)Rwenzururu protest songsProtest and Power in Black Africa. (1971)The Nyoro state (1971)Tradition and Transition in East Africa (1971)Dances across the boundary: Banande and Bakonzo in the twentieth century (2009)Mind in Society: The Development of Higher Psychological Processes (1978)Frames of Mind: The Theory of Multiple Intelligences (1984)The Interpretation of Cultures (2017)Seize the Dance! BaAka Musical Life and the Ethnography of Performance (2002)The Cambridge history of Western music theory (2002)The State in Africa : the Politics of the Belly (2009)Teaching ethnomusicology in times of trouble: a perspective from Johannesburg, South Africa (2021)Reclaiming the African voice beyond Eurocentric instrumental taxonomies (2026)The craft of musical composition (1941)The Craft of Musical Composition (1943)The Musical Instruments of the Native Races of South Africa (1967)Musicology and Linguistics: Integrating the Phraseology of Text and Tune in the Creative Process (2002)The intersubjective space–time of a Zulu choir/HIV support group in global perspective (2014)The musical mode of writing of the Psalms and its significance (2014)Tribal crafts of Uganda (1953)Xylophone Playing in Southern Uganda (1964)Composition Techniques in Kiganda Xylophone Music (1969)The Invention of Africa: Gnosis, Philosophy and the Order of Knowledge (1989)The Post-Colonial Critic: Interviews, Strategies, Dialogues (1992)Culture and Imperialism. (1994)Compositional techniques in roman catholic church music in Uganda (1995)African Music and the History of Time (2021)A Study of Norms in the Tribal Music of Uganda (1957)Patterns of Textual Recurrence in Kiganda Song (1992)Convergent evolution in a large cross-cultural database of musical scales (2021)Judging "By the Beat": Calypso versus Soca (1996)Learning to perform as a research technique in ethnomusicology* (2001)Does Language Determine Music in Tone Languages? (2012)Curious Intersections, Uncommon Magic: Steve Reich's It's Gonna Rain (2005)Rhythmic Archetypes in Instrumental Music from Africa and the Diaspora (2010)Rethinking Reich (2019)
this work references cited by second hop

References

  • 1928African Negro Music130 cited
  • 1962The phenomenon of inherent rhythms in East and Central African instrumental music70 cited
  • 1950An Equal-Stepped Tuning in a Ganda Harp47 cited
  • 1956African Music from the Source of the Nile32 cited
  • 1967Nguni Vocal Polyphony27 cited

Cited by

  • 1982Rwenzururu protest songs11 cited
  • 2004Resisting Sameness: À propos Kofi AgawuÕs Representing African Music10 cited
  • 2008Towards a justification for a philosophy of music education: a quodlibet for South Africa4 cited
  • 1999Xylophone music of Uganda: theembaire of Nakibembe, Busoga3 cited
  • 2023Tonality as a Colonizing Force in Africa2 cited

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