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“Run for it!”: Viewers’ participatory responses to film narratives.
16 references·5 citing·41 second hop
“Run for it!”: Viewers’ participatory responses to film narratives. (2013)“Run for it!”: Viewers’ participatory res…Experiencing Narrative Worlds (2018)Experiencing Narrative WorldsNarration in the Fiction Film (2013)Narration in the Fiction FilmQuicker, Faster, Darker: Changes in Hollywood Film over 75 Years (2011)Quicker, Faster, Darker: Chan…Involved, Transported, or Emotional? Exploring the Determinants of Change in Knowledge, Attitudes, and Behavior in Entertainment-Education (2011)Involved, Transported, or Emo…Understanding audience involvement: Conceptualizing and manipulating identification and transportation (2010)Understanding audience involv…Moving viewers: American film and the spectator's experience (2009)Moving viewers: American film…Transportation Into Narrative Worlds: The Role of Prior Knowledge and Perceived Realism (2004)Transportation Into Narrative…The effects of readers’ goals on inference generation and memory for texts (2001)The effects of readers’ goals…Perceiving, remembering, and communicating structure in events. (2001)Perceiving, remembering, and …Strategic processing during comprehension. (1999)Strategic processing during c…Engaging characters: fiction, emotion, and the cinema (1996)Engaging characters: fiction,…Emotion and the structure of narrative film film as an emotion machine (1996)Emotion and the structure of …Understanding text: Achieving explanatory coherence through on‐line inferences and mental operations in working memory (1993)Understanding text: Achieving…The Cognitive Structure of Emotions (1988)The Cognitive Structure of Em…Using television to alleviate boredom and stress: Selective exposure as a function of induced excitational states (1984)Using television to alleviate…Stories are to entertain: A structural-affect theory of stories (1982)Stories are to entertain: A s…The Sympathetic Plot, Its Psychological Origins, and Implications for the Evolution of Fiction (2021)The Sympathetic Plot, Its Psy…The Representation of Emotion Inferences (2021)The Representation of Emotion…How Imagination Supports Narrative Experiences for Textual, Audiovisual, and Interactive Narratives (2020)How Imagination Supports Narr…Aesthetic Responses to the Characters, Plots, Worlds, and Style of Stories (2020)Aesthetic Responses to the Ch…How Does Leisure Reading Affect Social Cognitive Abilities? (2019)How Does Leisure Reading Affe…Current Issues in Linguistic Theory (1975)Structuralist Poetics (1975)Expositional Modes and Temporal Ordering in Fiction (1979)Personality, Modernity, and the Storied Self: A Contemporary Framework for Studying Persons (1996)The Psychology of Life Stories (2001)A meta-analysis of the cognitive and motivational effects of serious games. (2013)Human Problem Solving (1972)Constructions: A Construction Grammar Approach to Argument Structure (1995)Statistical Learning by 8-Month-Old Infants (1996)Human brain activity time-locked to perceptual event boundaries (2001)One-year-old infants use teleological representations of actions productively (2003)Representing the meanings of object and action words: The featural and unitary semantic space hypothesis (2004)Toward a model of text comprehension and production. (1978)Protocol Analysis: Verbal Reports as Data (1986)The role of knowledge in discourse comprehension: A construction-integration model. (1988)Relevance and Goal-Focusing in Text Processing (2006)A Cognitive View of Reading Comprehension: Implications for Reading Difficulties (2014)Reading from paper compared to screens: A systematic review and meta‐analysis (2019)Actual Minds, Possible Worlds. (1986)Flow: the psychology of optimal experience (1990)The role of transportation in the persuasiveness of public narratives. (2000)Narratives and Cancer Communication (2006)How Does Fiction Reading Influence Empathy? An Experimental Investigation on the Role of Emotional Transportation (2013)The Uses of Enchantment: The Meaning and Importance of Fairy Tales (1976)Defining Identification: A Theoretical Look at the Identification of Audiences With Media Characters (2001)Examining Four Processes of Audience Involvement With Media Personae: Transportation, Parasocial Interaction, Identification, and Worship (2015)Fostering Parasocial Relationships with Celebrities on Social Media: Implications for Celebrity Endorsement (2017)Fictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)The Cambridge Introduction to Narrative (2008)The Cambridge Introduction to Narrative (2020)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)Some Like It Bad: Testing a Model for Perceiving and Experiencing Fictional Characters (2005)WILL THE REAL EMPATHY PLEASE STAND UP? A CASE FOR A NARROW CONCEPTUALIZATION (2011)Chapter 9 Toward a Comprehensive Model of Comprehension (2009)The Role of a Narrative's Emotional Flow in Promoting Persuasive Outcomes (2014)Handbook of Positive Psychology (2001)Core affect and the psychological construction of emotion. (2003)The Benefits of Frequent Positive Affect: Does Happiness Lead to Success? (2005)Entertainment-Education and Elaboration Likelihood: Understanding the Processing of Narrative Persuasion (2002)Prejudice Reduction: What Works? A Review and Assessment of Research and Practice (2008)Toward a Theory of Entertainment Persuasion: Explaining the Persuasive Effects of Entertainment-Education Messages (2008)
this work references cited by second hop

References

  • 1988The Cognitive Structure of Emotions6,207 cited
  • 2013Narration in the Fiction Film1,100 cited
  • 2018Experiencing Narrative Worlds969 cited
  • 2004Transportation Into Narrative Worlds: The Role of Prior Knowledge and Perceived Realism934 cited
  • 1996Engaging characters: fiction, emotion, and the cinema766 cited
  • 2001Perceiving, remembering, and communicating structure in events.640 cited
  • 1996Emotion and the structure of narrative film film as an emotion machine547 cited
  • 2001The effects of readers’ goals on inference generation and memory for texts446 cited
  • 2010Understanding audience involvement: Conceptualizing and manipulating identification and transportation441 cited
  • 1982Stories are to entertain: A structural-affect theory of stories401 cited
  • 1993Understanding text: Achieving explanatory coherence through on‐line inferences and mental operations in working memory360 cited
  • 2009Moving viewers: American film and the spectator's experience347 cited
  • 1984Using television to alleviate boredom and stress: Selective exposure as a function of induced excitational states333 cited
  • 2011Involved, Transported, or Emotional? Exploring the Determinants of Change in Knowledge, Attitudes, and Behavior in Entertainment-Education275 cited

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  • 1999Strategic processing during comprehension.272 cited
  • 2011Quicker, Faster, Darker: Changes in Hollywood Film over 75 Years173 cited
  • Cited by

    • 2021The Sympathetic Plot, Its Psychological Origins, and Implications for the Evolution of Fiction35 cited
    • 2020Aesthetic Responses to the Characters, Plots, Worlds, and Style of Stories21 cited
    • 2021The Representation of Emotion Inferences21 cited
    • 2019How Does Leisure Reading Affect Social Cognitive Abilities?21 cited
    • 2020How Imagination Supports Narrative Experiences for Textual, Audiovisual, and Interactive Narratives17 cited