SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
World Music and the Popular Music Industry: An Australian View
4 references·16 citing·45 second hop
World Music and the Popular Music Industry: An Australian View (1993)World Music and the Popular Music Industr…Distinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…There Ain't No Black in the Union Jack (2013)There Ain't No Black in the U…Maps of meaning (1989)Maps of meaningThe Other Question… (1983)The Other Question…Agent of bicultural balance: ganma, Yothu Yindi and the legacy of Mandawuy Yunupiŋu (2014)Agent of bicultural balance: …Effects of Multicultural Music Instruction on the Perception of Authenticity and Preference for Teaching Multicultural Music (2012)Effects of Multicultural Musi…Signifiers of indigeneity in Australian and New Zealand popular music (2010)Signifiers of indigeneity in …Land, song, constitution: exploring expressions of ancestral agency, intercultural diplomacy and family legacy in the music of Yothu Yindi with Mandawuy Yunupiŋu (2010)Land, song, constitution: exp…“Playing for Change”: Peace, Universality, and the Street Performer (2010)“Playing for Change”: Peace, …SINGING BENEATH THE ALHAMBRA: THE NORTH AFRICAN AND ARABIC PAST AND PRESENT IN CONTEMPORARY ANDALUSIAN MUSIC (2009)SINGING BENEATH THE ALHAMBRA:…La Flûte Indienne: The Early History of Andean Folkloric-Popular Music in France and its Impact on Nueva Canción (2008)La Flûte Indienne: The Early …"Our strength is ourselves" : identity, status, and cultural revitalization among the Mi'kmaq in Newfoundland (2008)"Our strength is ourselves" :…Questions of Method in Cultural Studies (2006)Questions of Method in Cultur…Can't Beat Me Own Drum in Me Own Native Land : Calypso Music and Tourism in the Panamanian Atlantic Coast (2006)Can't Beat Me Own Drum in Me …Negotiating Performance in Senegalese Popular Music: Sound, Image, and the Ethnomusicologist as Exoticized "Other" (2005)Negotiating Performance in Se…Cultural Politics and a Music Recording Project: Producing Strike Em!: Contemporary Voices from the Torres Strait (2001)Cultural Politics and a Music…Singing about nations within nations: Geopolitics and identity in Australian indigenous rock music (2000)Singing about nations within …Transformações da sensibilidade musical contemporânea (1999)Transformações da sensibilida…Fanning the Celtic Flame: Music Patronage and Practice in Contemporary Ireland (1998)Fanning the Celtic Flame: Mus…Rock Aesthetics and Musics of the World (1997)Rock Aesthetics and Musics of…Noise... The Political Economy of Music (1988)The search for the perfect language (1996)Dialectic of Enlightenment (2020)The Voices of Berlin: Busking in a 'Creative' City (2020)Marxism and the Interpretation of Culture (1400)The Language of the Inka since the European Invasion (1991)Vision, Race, and Modernity: A Visual Economy of the Andean Image World (1998)Permitted Indians and Popular Music in Contemporary Peru: The Poetics and Politics of Indigenous Performativity (2011)The AndeanConjunto, BolivianSikureadaand the Folkloric Musical Representation Continuum (2012)To Paris and Back: Violeta Parra's Transnational Performance of Authenticity (2013)Disjuncture and Difference in the Global Cultural Economy (1990)A Theory of Structure: Duality, Agency, and Transformation (1992)The Field of Cultural Production (1994)Cantopop and Mandapop in pre-postcolonial Hong Kong: identity negotiation in the performances of Anita Mui Yim-Fong (1999)Nitmiluk: Place and Empowerment in Australian Aboriginal Popular Music (2000)Change and Continuity in Newspaper Coverage of Popular Music since 1955: Evidence from the United States, France, Germany, and the Netherlands (2010)The Tourist: A New Theory of the Leisure Class. (1977)The Tourist Gaze: Leisure and Travel in Contemporary Societies (1990)Thinking in Jazz (1994)Cuban Music Is African Music (2020)World Music and the Black Atlantic (2020)Constructions of Race, Place and Nation (1995)Edge of Empire (2002)Radio geopolitics: broadcasting, listening and the struggle for acoustic spaces (2008)"Singing Trauma Trails": Songs of the Stolen Generations in Indigenous Australia (2010)The Languages of Australia (2011)Geography and film music: Musicology, gender, and the spatiality of instrumental music (2021)The Theory of Social and Economic Organization. (1948)Studies in Ethnomethodology. (1968)Subculture: The Meaning of Style (1995)The “Real Alaskan” (2007)New Historicism, Cultural Materialism und Cultural Studies (2008)Reel Gender: Examining the Politics of Trans Images in Film and Media (2009)Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Deconstructing Regions: Notes on the Scales of Spatial Life (1991)Approaches to sampling and case selection in qualitative research: examples in the geography of health (2000)Mapping ‘new’ geographies of religion: politics and poetics in modernity (2001)Feminist Politics: What’s Home Got to Do with It? (1986)Race and the Education of Desire (1995)Stereotyping Asian Americans: The Dialectic of the Model Minority and the Yellow Peril (2005)blurred boundaries: the discourse of corruption, the culture of politics, and the imagined state (1995)Conceiving and researching transnationalism (1999)Racism and the Press (2015)
this work references cited by second hop

References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 2013There Ain't No Black in the Union Jack1,752 cited
  • 1983The Other Question…803 cited
  • 1989Maps of meaning540 cited

Cited by

  • 2006Questions of Method in Cultural Studies73 cited
  • 2008La Flûte Indienne: The Early History of Andean Folkloric-Popular Music in France and its Impact on Nueva Canción50 cited
  • 1997Rock Aesthetics and Musics of the World47 cited
  • 2000Singing about nations within nations: Geopolitics and identity in Australian indigenous rock music34 cited
  • 2005Negotiating Performance in Senegalese Popular Music: Sound, Image, and the Ethnomusicologist as Exoticized "Other"25 cited
  • 2010“Playing for Change”: Peace, Universality, and the Street Performer22 cited
  • 2010Land, song, constitution: exploring expressions of ancestral agency, intercultural diplomacy and family legacy in the music of Yothu Yindi with Mandawuy Yunupiŋu19 cited
  • 2006Can't Beat Me Own Drum in Me Own Native Land : Calypso Music and Tourism in the Panamanian Atlantic Coast19 cited
  • 1999Transformações da sensibilidade musical contemporânea13 cited
  • 2001Cultural Politics and a Music Recording Project: Producing Strike Em!: Contemporary Voices from the Torres Strait

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

11 cited
  • 2014Agent of bicultural balance: ganma, Yothu Yindi and the legacy of Mandawuy Yunupiŋu9 cited
  • 2012Effects of Multicultural Music Instruction on the Perception of Authenticity and Preference for Teaching Multicultural Music7 cited
  • 2009SINGING BENEATH THE ALHAMBRA: THE NORTH AFRICAN AND ARABIC PAST AND PRESENT IN CONTEMPORARY ANDALUSIAN MUSIC7 cited
  • 1998Fanning the Celtic Flame: Music Patronage and Practice in Contemporary Ireland6 cited
  • 2008"Our strength is ourselves" : identity, status, and cultural revitalization among the Mi'kmaq in Newfoundland6 cited
  • 2010Signifiers of indigeneity in Australian and New Zealand popular music5 cited