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All That Is Not Given Is Lost: Irish Traditional Music, Copyright, and Common Property
16 references·16 citing·32 second hopsampled
All That Is Not Given Is Lost: Irish Traditional Music, Copyright, and Common Property (2001)All That Is Not Given Is Lost: Irish Trad…Stone Age Economics (2012)Stone Age EconomicsProperty Relations: Renewing the Anthropological Tradition (1999)Property Relations: Renewing …Subcultural Sounds: Micromusics of the West (1993)Subcultural Sounds: Micromusi…Authors and Owners: The Invention of Copyright (1993)Authors and Owners: The Inven…Governing the Commons: The Evolution of Institutions for Collective Action (1992)Governing the Commons: The Ev…The Tragedy of the Commons: Twenty-two years later (1990)The Tragedy of the Commons: T…The Hidden Musicians: Music-Making in an English Town (1989)The Hidden Musicians: Music-M…Noise, the Political Economy of Music (1989)Noise, the Political Economy …The Social Life of Things (1988)The Social Life of ThingsThe Genius and the Copyright: Economic and Legal Conditions of the Emergence of the 'Author' (1984)The Genius and the Copyright:…The Gift: Imagination and the Erotic Life of Property (1983)The Gift: Imagination and the…Gifts and commodities (1982)Gifts and commoditiesOutline of a Theory of Practice. (1980)Outline of a Theory of Practi…The Psychology of Reading (1975)The Psychology of ReadingThe Gift Relationship: From Human Blood to Social Policy. (1971)The Gift Relationship: From H…The Political Theory of Possessive Individualism: Hobbes to Locke. (1964)The Political Theory of Posse…Sincerely Outspoken (2021)Sincerely OutspokenMusic for Global Human Development (2021)Music for Global Human Develo…Music Endangerment, Repatriation, and Intercultural Collaboration in an Australian Discomfort Zone (2021)Music Endangerment, Repatriat…Ethnomusicology and the Meeting of Knowledges in Music (2021)Ethnomusicology and the Meeti…Ethnomusicological Praxis (2021)Ethnomusicological PraxisEthical Friction (2021)Ethical FrictionEngaged Activist Research (2021)Engaged Activist Research“How Is That Going to Help Anyone?” (2021)“How Is That Going to Help An…Open online resources and visual representations of music: New affordances for music education (2018)Open online resources and vis…Musicians and the politics of dignity in South India (2013)Musicians and the politics of…An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change (2013)An Introduction to Music Revi…The medium is the message: cyberspace, community, and music learning in the Irish traditional music virtual community (2008)The medium is the message: cy…‘Good man, Mary!’ Women musicians and the fraternity of Irish traditional music (2008)‘Good man, Mary!’ Women music…The Popularization of Slovenian Folk Music between the Local and Global: Redemption or Downfall of National Heritage (2005)The Popularization of Sloveni…The age of consent: Traditional music, intellectual property and changing attitudes in the People's Republic of China (2003)The age of consent: Tradition…?Stealing Our Heritage??: Women's Folksongs, Copyright Law, and the Public Domain in Algeria (2002)?Stealing Our Heritage??: Wom…The Social Construction of Reality: A Treatise in the Sociology of Knowledge. 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this work references cited by second hop· second hop is a sample of the most-cited connections

References

  • 1992Governing the Commons: The Evolution of Institutions for Collective Action19,096 cited
  • 1980Outline of a Theory of Practice.14,545 cited
  • 2012Stone Age Economics3,159 cited
  • 1964The Political Theory of Possessive Individualism: Hobbes to Locke.2,221 cited
  • 1990The Tragedy of the Commons: Twenty-two years later1,436 cited
  • 1971The Gift Relationship: From Human Blood to Social Policy.1,249 cited
  • 1988The Social Life of Things1,139 cited
  • 1982Gifts and commodities863 cited
  • 1983The Gift: Imagination and the Erotic Life of Property725 cited
  • 1989Noise, the Political Economy of Music710 cited
  • 1975The Psychology of Reading637 cited
  • 1993Authors and Owners: The Invention of Copyright616 cited
  • 1984The Genius and the Copyright: Economic and Legal Conditions of the Emergence of the 'Author'611 cited
  • 1999Property Relations: Renewing the Anthropological Tradition557 cited
  • 1993Subcultural Sounds: Micromusics of the West465 cited
  • 1989The Hidden Musicians: Music-Making in an English Town455 cited

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Cited by

  • 2008The medium is the message: cyberspace, community, and music learning in the Irish traditional music virtual community42 cited
  • 2013An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change33 cited
  • 2021Ethnomusicology and the Meeting of Knowledges in Music21 cited
  • 2021Music Endangerment, Repatriation, and Intercultural Collaboration in an Australian Discomfort Zone20 cited
  • 2018Open online resources and visual representations of music: New affordances for music education20 cited
  • 2002?Stealing Our Heritage??: Women's Folksongs, Copyright Law, and the Public Domain in Algeria19 cited
  • 2021Ethnomusicological Praxis18 cited
  • 2021Engaged Activist Research18 cited
  • 2021Music for Global Human Development18 cited
  • 2021“How Is That Going to Help Anyone?”18 cited
  • 2021Sincerely Outspoken17 cited
  • 2013Musicians and the politics of dignity in South India14 cited
  • 2021Ethical Friction13 cited
  • 2008‘Good man, Mary!’ Women musicians and the fraternity of Irish traditional music9 cited
  • 2003The age of consent: Traditional music, intellectual property and changing attitudes in the People's Republic of China8 cited
  • 2005The Popularization of Slovenian Folk Music between the Local and Global: Redemption or Downfall of National Heritage5 cited