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Microanalysis of art objects: Objectives, methods and results
7 references·4 citing·31 second hop
Microanalysis of art objects: Objectives, methods and results (1985)Microanalysis of art objects: Objectives,…Quantitative characterization of surface layers on corroded medieval window glass with SIMS (1984)Quantitative characterization…The Deterioration and Conservation of Painted Glass: A Critical Bibliography (1983)The Deterioration and Conserv…Investigation of the destructive action of copper pigments on paper and consequences for conservation (1982)Investigation of the destruct…STABLE ISOTOPE IDENTIFICATION OF GREEK AND TURKISH MARBLES (1979)STABLE ISOTOPE IDENTIFICATION…AN IMPROVED METHOD FOR THE THIN-LAYER CHROMATOGRAPHY OF MEDIA IN TEMPERA PAINTINGS (1974)AN IMPROVED METHOD FOR THE TH…Recent Advances in Conservation (1967)Recent Advances in Conservati…Cross-Sections and Chemical Analysis of Paint Samples (1956)Cross-Sections and Chemical A…Metals and Environment: Chemical Outputs From the Interaction Between Gilded Copper-Based Objects and Burial Soil (2020)Metals and Environment: Chemi…Chapter 17 A study of ancient manuscripts exposed to iron-gall ink corrosion (2004)Chapter 17 A study of ancient…Chapter 14 Pigment identification in illuminated manuscripts (2004)Chapter 14 Pigment identifica…A New Instrument for the Energy Dispersive X-Ray Fluorescence Analysis of Objects of Art and Archaeology (1991)A New Instrument for the Ener…Phytate: a Potential Conservation Agent for the Treatment of Ink Corrosion Caused by Irongall Inks (1995)Analysis of pigments and inks on oil paintings and historical manuscripts using total reflection x-ray fluorescence spectrometry (2000)Use of microscopic XRF for non-destructive analysis in art and archaeometry (2000)A combined approach for the attribution of handwriting: the case of Antonio Stradivari’s manuscripts (2016)Siderophores and their Applications in Wood, Textile, and Paper Conservation (2021)Preservation of Paper and Textiles of Historic and Artistic Value (1978)Chinese painted silks for the European market in the Victoria and Albert Museum, London, UK: Conservation treatment developments (2014)CONTRIBUTION À L’ ANALYSE DES LIANTS, ADHÉSIFS ET VERNIS ANCIENS (1968)IDENTIFICATION OF PROTEIN-CONTAINING PAINT MEDIA BY QUANTITATIVE AMINO ACID ANALYSIS (1969)Conservation of paintings and the graphic arts (1972)GC/MS in the Characterisation of Protein Paint Binders (2009)Greek Marbles: Determination of Provenance by Isotopic Analysis (1972)A PRELIMINARY EVALUATION OF CHEMICAL DATA (TRACE ELEMENT) FROM CLASSICAL MARBLE QUARRIES IN THE MEDITERRANEAN (1975)CARBON AND OXYGEN ISOTOPE RATIOS OF MARBLES FROM SOME ANCIENT QUARRIES OF WESTERN ANATOLIA AND THEIR ARCHAEOLOGICAL SIGNIFICANCE (1975)The Art and Architecture of Lepcis Magna: marble origins by Isotopic analysis (1984)Provenance Investigation of Marbles from Delphi with ESR Spectroscopy (1988)MINERALOGICAL, PETROGRAPHIC AND STABLE ISOTOPIC STUDY OF ANCIENT WHITE MARBLE QUARRIES IN THESSALY, GREECE - II. CHASANBALI, TEMPI, ATRAX, TISAION MOUNTAIN (2017)An X-Ray Spectrometer for Pixel Analysis of Art Objects (1991)Non-destructive investigation of paint layer sequences (2000)Bronze Disease: A Review of Some Chemical Problems and the Role of Relative Humidity (1990)Metallography and Microstructure of Ancient and Historic Metals (1992)Morphology and mechanisms of formation of natural patinas on archaeological Cu–Sn alloys (1998)Quantitative NRA and SIMS depth profiling of hydrogen in naturally weathered medieval glass (1988)Secondary Ion Mass Spectrometer Analysis of Potash–Lime–Silica Glasses Leached in Hydrochloric and Sulfuric Acids (1989)Vessel glass deterioration at the Victoria and Albert museum: Surveying the collection (1990)VERMILION AND CINNABAR (1972)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Fluorescence of Paint and Varnish Layers (Part II) (1982)NEW SYNTHETIC RESINS FOR PICTURE VARNISHES (1990)An Examination of the Patina and Corrosion Morphology of Some Roman Bronzes (1994)
this work references cited by second hop

References

  • 1956Cross-Sections and Chemical Analysis of Paint Samples180 cited
  • 1967Recent Advances in Conservation115 cited
  • 1979STABLE ISOTOPE IDENTIFICATION OF GREEK AND TURKISH MARBLES32 cited
  • 1983The Deterioration and Conservation of Painted Glass: A Critical Bibliography27 cited
  • 1984Quantitative characterization of surface layers on corroded medieval window glass with SIMS24 cited
  • 1982Investigation of the destructive action of copper pigments on paper and consequences for conservation19 cited
  • 1974AN IMPROVED METHOD FOR THE THIN-LAYER CHROMATOGRAPHY OF MEDIA IN TEMPERA PAINTINGS17 cited

Cited by

  • 2020Metals and Environment: Chemical Outputs From the Interaction Between Gilded Copper-Based Objects and Burial Soil14 cited
  • 2004Chapter 17 A study of ancient manuscripts exposed to iron-gall ink corrosion13 cited
  • 1991A New Instrument for the Energy Dispersive X-Ray Fluorescence Analysis of Objects of Art and Archaeology12 cited
  • 2004Chapter 14 Pigment identification in illuminated manuscripts9 cited

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