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Fondements d'une sémiologie de la musique
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Fondements d'une sémiologie de la musique (1977)Fondements d'une sémiologie de la musiqueMusic and Semiotics: An Experiential Approach to Musical Sense-Making (2017)Music and Semiotics: An Exper…Предмети на културата (музикални инструменти) и музиката в Библията. Към въпроса за музикалността на поетическото слово, за химнографията и лириката на Николай Лилиев (2016)Предмети на културата (музика…Structuralists contra Serialists? Claude Lévi-Strauss and Pierre Boulez on Avant-Garde Music (2011)Structuralists contra Seriali…Le myosotis, et puis la rose... (2006)Le myosotis, et puis la rose.…In(-)formations. The Meaning of Paratextual Elements in Debussy's Syrinx (2005)In(-)formations. The Meaning …Ethnomusicologie et significations musicales (2004)Ethnomusicologie et significa…Argument (2004)ArgumentLe paradoxe du sociologue (1988)Le paradoxe du sociologueRemarks on Analysis (1987)Remarks on AnalysisHarmonica Magic: Virtuoso Display in American Folk Music (1980)Harmonica Magic: Virtuoso Dis…Method, Model and Matter (1973)Proposal for a Grammar of Melody: The Bach Chorales (1978)Analytica : studies in the description and analysis of music (1985)Emotion and Meaning in Music (1961)Rhétorique de l'image (1964)Dieu d'eau (2006)L’image musicale du souvenir (2006)Le bagana, instrument de musique et de prière amhara (Éthiopie) (2007)Le Monde Comme Représentation (1989)Nationalists, Cosmopolitans, and Popular Music in Zimbabwe (2000)Les représentations sociales (2003)Amour, honte et prestige au Caire (2009)Rap as a Social and Political Revealer: Diam's and Changes in French Value Systems (2010)Cours de linguistique générale (1916)Morphology of the folktale (1958)Adorno, Theodor W. (2006)The Musical Language of Pierre Boulez (2013)Boulez's Künstlerroman: Using blocs sonores to Overcome Anxieties and Influence in Le marteau sans maître (2018)Teasing the Ever-Expanding Sonnet from Pierre Boulez’s Musical Poetics (2019)Writing and Difference (1980)Introduction to the Paratext (1991)Feminist Theory, Music Theory, and the Mind/Body Problem (1994)Father of the Blues; An Autobiography. (1942)Psychology of Childlore: The Triviality Barrier (1970)Blacking Up: The Minstrel Show in Nineteenth-Century America (1977)Playing Chicken With the Train: Cowboy Troy's Hick-Hop and the Transracial Country West (2010)Black Hillbillies (2013)Why African Americans Put the Banjo Down (2013)Definitions of "Comparative Musicology" and "Ethnomusicology": An Historical-Theoretical Perspective (1977)Suggested Methods for the Transcription of Exotic Music (1994)Chants et contrechamps de l’ethnomusicologie (Essai bibliographique) (2006)Folk Song Style and Culture (2017)Translocal art worlds. Mobilities, routes, and conventions (2022)The Body in the Mind (1987)Women, Fire, and Dangerous Things (1987)Women, Fire, and Dangerous Things: What Categories Reveal about the Mind (1988)Sonic branding: A narrative review at the intersection of art and science (2024)Les Grecs ont-ils cru à leurs mythes ? (1983)Music, the Arts, and Ideas (1994)Comment on écrit l’histoire (2015)
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  • 2011Structuralists contra Serialists? Claude Lévi-Strauss and Pierre Boulez on Avant-Garde Music22 cited
  • 1980Harmonica Magic: Virtuoso Display in American Folk Music21 cited
  • 2004Argument20 cited
  • 2004Ethnomusicologie et significations musicales18 cited
  • 2017Music and Semiotics: An Experiential Approach to Musical Sense-Making10 cited
  • 2006Le myosotis, et puis la rose...8 cited
  • 1988Le paradoxe du sociologue6 cited
  • 1987Remarks on Analysis4 cited
  • 2016Предмети на културата (музикални инструменти) и музиката в Библията. Към въпроса за музикалността на поетическото слово, за химнографията и лириката на Николай Лилиев4 cited
  • 2005In(-)formations. The Meaning of Paratextual Elements in Debussy's Syrinx2 cited

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