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The sources and chemistry of waxes likely to be encountered in art objects are briefly reviewed and their gas-chromatograms are illustrated. Examples of the identification of waxes and wax-mixtures in a variety of objects are described, and the advantages for this purpose of gas-chromatography over infrared spectroscopy are indicated.
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Stored only when both papers are in the corpus — 50 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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