SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
THE APPLICATION OF GAS-CHROMATOGRAPHY TO THE IDENTIFICATION OF WAXES
1 references·12 citing·44 second hop
THE APPLICATION OF GAS-CHROMATOGRAPHY TO THE IDENTIFICATION OF WAXES (1978)THE APPLICATION OF GAS-CHROMATOGRAPHY TO …NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION (1977)NATURAL RESINS OF ART AND ARC…Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks (2022)Review of recent advances on …GC/MS Characterization of Beeswax, Protein, Gum, Resin, and Oil in Romano-Egyptian Paintings (2019)GC/MS Characterization of Bee…Ancient encaustic: An experimental exploration of technology, ageing behaviour and approaches to analytical investigation (2018)Ancient encaustic: An experim…An Enhanced GC/MS Procedure for the Identification of Proteins in Paint Microsamples (2018)An Enhanced GC/MS Procedure f…Investigation and conservation of Anne Marie Carl-Nielsen's wax models (2013)Investigation and conservatio…Characterization of the binding medium used in Roman encaustic paintings on wall and wood (2012)Characterization of the bindi…Organic patinas on Renaissance and Baroque bronzes–Interpretation of compositions of the original patination by using a set of simulated varnished bronze coupons (2010)Organic patinas on Renaissanc…Organic Materials in Art and Archaeology (2009)Organic Materials in Art and …Characterization of waxes used in pictorial artworks according to their relative amount of fatty acids and hydrocarbons by gas chromatography (2005)Characterization of waxes use…A Note on the Crystal Growth on the Surface of a Wax Artifact (1993)A Note on the Crystal Growth …Fatty Bloom on Wood Sculpture from Mali (1986)Fatty Bloom on Wood Sculpture…THE TECHNOLOGY, EXAMINATION AND CONSERVATION OF THE FAYUM PORTRAITS IN THE PETRIE MUSEUM (1979)THE TECHNOLOGY, EXAMINATION A…The Organic Chemistry of Museum Objects (1988)Ancient Egyptian materials and technology (2000)Modern analytical methods in art and archaeology (2000)An 18th century medication “Mumia vera aegyptica” – Fake or authentic? (2013)Organic residue analysis of Egyptian votive mummies and their research potential (2015)Chemical Alteration and Use of Beeswax Through Time: Accelerated Ageing Tests and Analysis of Archaeological Samples from Various Environmental Contexts (2001)Statistics and Chemometrics for Analytical Chemistry (2005)Gas chromatography–mass spectrometry characterization of the varnish and glue of an ancient 18th century double bass (2007)Application of high-performance separation techniques in archaeometry (2008)Gas chromatography/mass spectrometry of oils and oil binders in paintings (2008)Materials for Conservation; Organic Consolidants, Adhesives and Coatings (1988)The Characterization of Metal Soaps (2003)Analysis and conservation of modern modeling materials found in Auguste Rodin's sculptures (2016)Clothed wax effigies: construction materials, challenges and suggestions for preventive conservation (2020)Infrared spectroscopy reveals the reactivity of fatty acids on copper surfaces and its implications for cultural heritage objects (2023)Copper and Bronze in Art: Corrosion, Colorants, Conservation (2002)Organic Mass Spectrometry in Art and Archaeology (2009)The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment (2016)On the Use and Differentiation of Resins from Pinaceae Species in European Artworks Based on Written Sources, Reconstructions and Analysis (2019)The Samuel F. B. Morse statue in Central Park: scientific study and laser cleaning of a 19th-century American outdoor bronze monument (2020)Conservation of wall paintings (1984)Pigments used in Roman wall paintings in the Vesuvian area (2010)The composition of some Roman medicines: evidence for Pliny’s Punic wax? (2011)Research on the Organic Binders in Archaeological Wall Paintings (2021)The combined use of SEM-EDX, Raman, ATR-FTIR and visible reflectance techniques for the characterisation of Roman wall painting pigments from Monte d’Oro area (Rome): an insight into red, yellow and pink shades (2021)Ancient Egyptian Materials and Industries (1948)Recent Advances in Conservation (1967)Technical Studies in the Field of the Fine Arts (1977)A Technical Examination of an Ancient Egyptian Painting on Canvas (1981)Revealing the binding medium of a Roman Egyptian painted mummy shroud (2017)Painting the Palace of Apries I: ancient binding media and coatings of the reliefs from the Palace of Apries, Lower Egypt (2018)Kinetics of oil saponification by lead salts in ancient preparations of pharmaceutical lead plasters and painting lead mediums (2006)Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers (2016)Identification and mapping of ancient pigments in a Roman Egyptian funerary portrait by application of reflectance and luminescence imaging spectroscopy (2022)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Analytical Strategies for Characterizing Organic Paint Media Using Gas Chromatography/Mass Spectrometry (2010)Archaeometric Study of the Mural Paintings by Saturnino Gatti and Workshop in the Church of San Panfilo, Tornimparte (AQ): The Study of Organic Materials in Original and Restored Areas (2023)Advances in Analytical Methods for Cultural Heritage (2024)Look but don't touch: Non-invasive chemical analysis of organic paint binders – A review (2024)Characterization of the Balm of an Egyptian Mummy from the Seventh Century B.C. (2000)Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings (2000)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)A multi-analytical study of a wall painting in the Satyr domus in Córdoba, Spain (2020)Characterization of Waxes in the Roman Wall Paintings of the Herculaneum Site (Italy) (2022)
this work references cited by second hop

References

  • 1977NATURAL RESINS OF ART AND ARCHAEOLOGY THEIR SOURCES, CHEMISTRY, AND IDENTIFICATION193 cited

Cited by

  • 2019GC/MS Characterization of Beeswax, Protein, Gum, Resin, and Oil in Romano-Egyptian Paintings49 cited
  • 2012Characterization of the binding medium used in Roman encaustic paintings on wall and wood49 cited
  • 2018Ancient encaustic: An experimental exploration of technology, ageing behaviour and approaches to analytical investigation44 cited
  • 2009Organic Materials in Art and Archaeology43 cited
  • 2022Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks31 cited
  • 2005Characterization of waxes used in pictorial artworks according to their relative amount of fatty acids and hydrocarbons by gas chromatography30 cited
  • 1979THE TECHNOLOGY, EXAMINATION AND CONSERVATION OF THE FAYUM PORTRAITS IN THE PETRIE MUSEUM28 cited
  • 2010Organic patinas on Renaissance and Baroque bronzes–Interpretation of compositions of the original patination by using a set of simulated varnished bronze coupons20 cited
  • 2013Investigation and conservation of Anne Marie Carl-Nielsen's wax models18 cited
  • 2018An Enhanced GC/MS Procedure for the Identification of Proteins in Paint Microsamples14 cited
  • 1986Fatty Bloom on Wood Sculpture from Mali14 cited
  • 1993A Note on the Crystal Growth on the Surface of a Wax Artifact

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

9 cited