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Playing with history: personal accounts of the political and cultural self in actor training through movement
16 references·2 citing·29 second hop
Playing with history: personal accounts of the political and cultural self in actor training through movement (2014)Playing with history: personal accounts o…Theatre of the oppressed (2020)Theatre of the oppressedDistinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…Theatre & Interculturalism (2010)Theatre & InterculturalismEngaging Performance: Theatre as call and response (2010)Engaging Performance: Theatre…Embodied Wisdom: The Collected Papers of Moshe Feldenkrais (2010)Embodied Wisdom: The Collecte…Movement Training for the Modern Actor (2009)Movement Training for the Mod…Movement training for the modern actor (2009)Movement training for the mod…Crossing Cultural Borders Through the Actor's Work: Foreign Bodies of Knowledge (2008)Crossing Cultural Borders Thr…The Purpose of Playing (2006)The Purpose of PlayingThrowing Like a Girl: (2005)Throwing Like a Girl:Games for Actors and Non-Actors (2005)Games for Actors and Non-Acto…Discourse and Truth: the Problematization of Parrhesia (1999)Discourse and Truth: the Prob…Alien Bodies: Representations of Modernity, 'Race' and Nation in Early Modern Dance (1998)Alien Bodies: Representations…Pedagogy of the oppressed: an extract (1997)Pedagogy of the oppressed: an…The Rainbow of Desire: The Boal Method of Theatre and Therapy (1994)The Rainbow of Desire: The Bo…Brecht on Theatre (1964)Brecht on TheatreNot not doing therapy: performer training and the ‘third’ space (2022)Not not doing therapy: perfor…Bodily education in modernist culture – freedom and commodification (2015)Bodily education in modernist…Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Critical Pedagogies and Language Learning (2004)Communication for Development and Social Change (2008)Social Design Experiments: Toward Equity by Design (2016)Deference, Dissent, and Dispute Resolution: An Experimental Intervention Using Mass Media to Change Norms and Behavior in Rwanda (2009)Critical participatory action research as public science. (2012)Hegemonic masculinity: combining theory and practice in gender interventions (2015)Truthfulness (2003)Critique and Experience in Foucault (2011)Reflectivity in Research Practice (2015)Becoming a Gendered Body: Practices of Preschools (1998)Carnal Connections: On Embodiment, Apprenticeship, and Membership (2005)When Do Governments Promote Women's Rights? A Framework for the Comparative Analysis of Sex Equality Policy (2010)What is Social Equality? An Analysis of Status Equality as a Strongly Egalitarian Ideal (2011)Student-centered Education and Constructivism: Challenges, Concerns, and Clarity for Teachers (2016)Didactic Strategies to Promote Competencies in Sustainability (2019)Between the frames: youth spectatorship and theatre as curated, ‘unruly’ pedagogical space (2013)Performing Desistance (2014)Hip-Hop Citizens: Arts-Based, Culturally Sustaining Civic Engagement Pedagogy (2016)Stereotypes and the Media: A Re-evaluation (1986)A paradigm for performance studies (1987)Exploring Risky Youth Experiences: Popular Theatre as a Participatory, Performative Research Method (2004)Between Primitivism and Diaspora: The Dance Performances of Josephine Baker, Zora Neale Hurston, and Katherine Dunham (2003)Escape Routes: Control and Subversion in the Twenty-First Century (2008)The Cambridge History of Modernism (2017)The Cambridge Introduction to Theatre Studies (2008)Race and language teaching (2020)
this work references cited by second hop

References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 2020Theatre of the oppressed1,521 cited
  • 2005Games for Actors and Non-Actors852 cited
  • 1994The Rainbow of Desire: The Boal Method of Theatre and Therapy632 cited
  • 1964Brecht on Theatre408 cited
  • 2005Throwing Like a Girl:323 cited
  • 1997Pedagogy of the oppressed: an extract291 cited
  • 1999Discourse and Truth: the Problematization of Parrhesia261 cited
  • 1998Alien Bodies: Representations of Modernity, 'Race' and Nation in Early Modern Dance174 cited
  • 2010Engaging Performance: Theatre as call and response91 cited
  • 2010Embodied Wisdom: The Collected Papers of Moshe Feldenkrais89 cited
  • 2010Theatre & Interculturalism88 cited
  • 2009Movement Training for the Modern Actor47 cited
  • 2009Movement training for the modern actor39 cited
  • 2006The Purpose of Playing37 cited
  • 2008Crossing Cultural Borders Through the Actor's Work: Foreign Bodies of Knowledge25 cited

Cited by

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  • 2022Not not doing therapy: performer training and the ‘third’ space5 cited
  • 2015Bodily education in modernist culture – freedom and commodification5 cited