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Crossdressing, The Theatre, and Gender Struggle in Early Modern England
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Cited by

  • 1991Sexual Dissidence638 cited
  • 2002Speech and Performance in Shakespeare's Sonnets and Plays153 cited
  • 1993Taking the Pencil out of God's Hand: Art, Nature, and the Face-Painting Debate in Early Modern England63 cited
  • 1996Gender Trouble and Cross-Dressing in Early Modern England57 cited
  • 1990He Do Cressida in Different Voices44 cited
  • 2018Shakespeare, Love and Language35 cited
  • 2009Shakespeare and the power of performance: stage and page in the Elizabethan theatre35 cited
  • 2001Marked Angels: Counterfeits, Commodities, and The Roaring Girl32 cited
  • 1992Katherina Bound; or, Play(K)ating the Strictures of Everyday Life32 cited
  • 1997Gender Trouble in Twelfth Night30 cited
  • 2001‘I’ll Want My Will Else’: The Changeling and Women’s Complicity with their Rapists25 cited
  • 1996Breeches and Breaches: Cross-Dress Theater and the Culture of Gender Ambiguity in Modern France25 cited
  • 1997Queer Play: The Cultural Work of Crossdressing in Medieval Drama23 cited
  • 2007The Cambridge Introduction to Shakespeare22 cited
  • 1993Base Trade: Theater as Prostitution

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21 cited
  • 1995"Neither a Man nor a Maid": Sexualities and Gendered Meanings in Cross-Dressing Ballads21 cited