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Like the Chameleon Who Takes on the Colors of the Hills: Indigeneity as Patrimony and Performance in Coastal Ecuador
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References

  • 1990The Logic of Practice17,255 cited
  • 1992Language and Symbolic Power.9,964 cited
  • 1988Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory4,127 cited
  • 1993Mimesis and alterity: a particular history of the senses3,316 cited
  • 1994The Field of Cultural Production3,293 cited
  • 1996Hybrid cultures: strategies for entering and leaving modernity2,051 cited
  • 2009Ethnicity, Inc.1,401 cited
  • 1997Race and ethnicity in Latin America751 cited
  • 2003Consuming the Caribbean609 cited
  • 2002Cholas and pishtacos: stories of race and sex in the Andes574 cited
  • 1967Purity and Danger: An Analysis of Concepts of Pollution and Taboo477 cited
  • 1982Cultural Transformations and Ethnicity in Modern Ecuador.462 cited
  • 1997Body paint, feathers, and vcrs: aesthetics and authenticity in Amazonian activism434 cited
  • 1990Persuasions of the witch's craft: ritual magic in contemporary England318 cited
  • 2003From peasant struggles to Indian resistance: the Ecuadorian Andes in the late twentieth century219 cited
  • 1997Remaking the nation: place, identity and politics in Latin America

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217 cited

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  • 2017Sociocultural Anthropology in 2016: In Dark Times: Hauntologies and Other Ghosts of Production28 cited