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Woodhouse, handsome, clever, and rich. [...] Already I am caught. How is it possible to refuse the illusion that Emma Woodhouse was a woman whom I can discuss with as much unself-consciousness as the woman next door? At the very moment I refer to her (her: third person, feminine), I have already tacitly removed her from the novel, credited her with an independent life, and assumed a mimetic theory of character.*
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Stored only when both papers are in the corpus — 60 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.