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The Song Machine: Inside the Hit Factory
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  • 2017What Makes Popular Culture Popular? Product Features and Optimal Differentiation in Music266 cited
  • 2021Taylor Swift and the Work of Songwriting22 cited
  • 2017The grand opening? The transformation of the content of culture sections in European newspapers, 1960–201020 cited
  • 2020Making Music, Finishing Music – An Inquiry Into the Music-Making Practice of Popular Electronic Music Students in the “Laptop-Era”18 cited
  • 2021Song Form and the Mainstreaming of Hip-Hop Music16 cited
  • 2020Music Technology in Education – Channeling and Challenging Perspectives16 cited
  • 2019From “Mine” to “Ours”: Gendered Hierarchies of Authorship and the Limits of Taylor Swift’s Paratextual Feminism16 cited
  • 2019Music production in Swedish higher education : History and future challenges14 cited
  • 2018Institutionalizing Authenticity in the Digitized World of Music13 cited
  • 2020Balancing Educational Purposes Within Higher Electronic Music Education – A Biestaian Perspective12 cited
  • 2020Diversification and post-regionalism in North American hip-hop flow6 cited
  • 2025The Social Life of an Optimised Song: Reconstructing the Networked Cycle of Digital Music-Making5 cited
  • 2020Music Technology in Education5 cited
  • 2020

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Teaching Aesthetics – A Case Study of One-To-One Tuition in Popular Electronic Music in Higher Education
5 cited
  • 2024‘The song factories have closed!’: songwriting camps as spaces of collaborative creativity in the post-industrial age4 cited
  • 2023LIMINALE KREATIVITÄT4 cited