Citation map · Study

SZodixStudyAcademic Library

Shelves Open access

Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated

Arts Audiences: Establishing a Gateway to Audience Development and Engagement

14 references·8 citing·43 second hop

FromToDepth

this work references cited by second hop

References

1981Evaluating Structural Equation Models with Unobservable Variables and Measurement Error108,884 cited
1988Structural equation modeling in practice: A review and recommended two-step approach.41,858 cited
2001Accounting for common method variance in cross-sectional research designs.8,464 cited
1993Market Orientation: Antecedents and Consequences7,032 cited
2002Consumer Trust, Value, and Loyalty in Relational Exchanges4,193 cited
2011Consumer engagement in a virtual brand community: An exploratory analysis3,229 cited
2006Common Method Variance in IS Research: A Comparison of Alternative Approaches and a Reanalysis of Past Research3,226 cited
2012Customer Engagement: Exploring Customer Relationships Beyond Purchase2,086 cited
2008The Process of Customer Engagement: A Conceptual Framework1,365 cited
2008Word-of-mouth communications in marketing: a meta-analytic review of the antecedents and moderators1,081 cited
1989Information Processing from Advertisements: Toward an Integrative Framework1,003 cited
1991Enhancing and Measuring Consumers' Motivation, Opportunity, and Ability to Process Brand Information from Ads988 cited
2010The Participatory Museum900 cited
2004Gifts of the Muse: Reframing the Debate About the Benefits of the Arts453 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Cited by

2020Leading or avoiding change: the problem of audience diversification for arts organisations16 cited
2020From children to seniors: is culture accessible to everyone?14 cited
2020Cultural Participation12 cited
2019Arts audience segmentation: data, profiles, segments and biographies10 cited
2020Concert Hall, Museum, Cinema, and Theater Attendance: What Difference Do Audience Motivations and Demographics Make?9 cited
2021Artists as cultural intermediaries? Remediating practices of production and consumption8 cited
2024Let us hear the voice of the audience: groups facing the risk of cultural exclusion and cultural accessibility in Vojvodina province, Serbia7 cited
2025Classical Concert Visitor Types: Attendance Motivation, Expectation, and Experience5 cited