A multidisciplinary approach to the study of the brightening effects of white chalk ground layers in 15 th and 16 th century paintings

Vanessa Antunes · António Candeias · João Coroado · Vítor Serrão · Mário Cachão · Luísa Carvalho

21 citations0/0 files storedAnalytical Methods

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Cultural Heritage Materials Analysis Historical Art and Architecture Studies Building materials and conservation

Abstract

This paper employs various techniques to analyze the mixture of chalk and binder materials used, by Portuguese and Flemish painters in the 15 th and 16 th centuries, to enhance the reflection of light in paintings.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 21 citations exist upstream.

References

1996Accelerated Aging: Photochemical and Thermal Aspects 1982Santiago de Compostela 2012Cross-Section and Staining-Based Techniques for Investigating Organic Materials in Painted and Polychrome Works of Art: A Review 2014Characterization of gypsum and anhydrite ground layers in 15th and 16th centuries Portuguese paintings by Raman Spectroscopy and other techniques 2013Complementary cross-section based protocol of investigation of polychrome samples of a 16th century Moravian Sculpture by optical, vibrational and mass spectrometric techniques 2014Analytical procedure for characterization of medieval wall-paintings by X-ray fluorescence spectrometry, laser ablation inductively coupled plasma mass spectrometry and Raman spectroscopy 2011Fluorescence recognition of proteinaceous binders in works of art by a novel integrated system of investigation 200618th Century church altarpieces in the Algarve, Portugal

Cited by

2020Identification of green pigments and binders in late medieval painted wings from Norwegian churches 2021Altered identity: fleeting colors and obscured surfaces in Van Gogh’s Landscapes in Paris, Arles, and Saint-Rémy 2023Multidisciplinary approach to the study of large-format oil paintings

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.