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A multidisciplinary approach to the study of the brightening effects of white chalk ground layers in 15 th and 16 th century paintings

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References

1996Accelerated Aging: Photochemical and Thermal Aspects128 cited
1982Santiago de Compostela68 cited
2012Cross-Section and Staining-Based Techniques for Investigating Organic Materials in Painted and Polychrome Works of Art: A Review62 cited
2014Characterization of gypsum and anhydrite ground layers in 15th and 16th centuries Portuguese paintings by Raman Spectroscopy and other techniques50 cited
2013Complementary cross-section based protocol of investigation of polychrome samples of a 16th century Moravian Sculpture by optical, vibrational and mass spectrometric techniques34 cited
2014Analytical procedure for characterization of medieval wall-paintings by X-ray fluorescence spectrometry, laser ablation inductively coupled plasma mass spectrometry and Raman spectroscopy30 cited
2011Fluorescence recognition of proteinaceous binders in works of art by a novel integrated system of investigation24 cited
200618th Century church altarpieces in the Algarve, Portugal4 cited

Cited by

2020Identification of green pigments and binders in late medieval painted wings from Norwegian churches21 cited
2021Altered identity: fleeting colors and obscured surfaces in Van Gogh’s Landscapes in Paris, Arles, and Saint-Rémy13 cited
2023Multidisciplinary approach to the study of large-format oil paintings12 cited

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